Madeira, November 2021.
My annual rant on post processing
This is a topic that keeps coming up. How far can we go with our editing? When does it stop being photography to become "digital art"? Is the digital darkroom different from the analog darkroom?
So many question, and so many different answers.
Alley
Galicia, February 2022.
From the video Photography at the coast.
The Gate and the Tree
Galicia, February 2022.
Three Giants
Castilla La Mancha, December 2021.
From the time I photographed Don Quixote's giants.
Path between the trees and the fence
Galicia, April 2022.
Boats Only
Indiana, July 2022.
Leaning Tree of Point Reyes, III
Point Reyes, June 2022.
From the video Black and White photography in Point Reyes, California.
Dead forest, II
Galicia, July 2022.
From the video It all burned.
Dead forest
Galicia, July 2022.
From the video It all burned.
It all burned
Everything around us is ephemeral, even if sometimes it doesn't feel like it. I've taken for granted many places in the past, just to see them gone due to natural disasters; especially wildfires. A big fire burnt some of the landscapes I was photographing not even 3 months ago. Familiar spots, gone; favorite trees, burnt to the ground. But life will come back, changed.
Cat eyes
Galicia, July 2022.
Made on an evening walk.
A dance of trees, III
Madeira, November 2021.
Neighborhood deer
Indiana, July 2022.
Towers
Galicia, April 2022.
How I use masking tools in Lightroom to make better images
Editing is a very important step in the creative process. And masking tools are some of the most powerful instruments we have in our toolbox to improve our images and bring our vision to life.
Ghost house
Galicia, April 2022.
Paths
Galicia, January 2022 and May 2020.
Shore
Fort Stevens, Oregon, June 2021.
Still standing
Madeira, November 2021.