This last weekend we spent some family time in Saugatuck, Michigan. Rachel and I decided to bring the Fuji X100T along and shoot all the pictures with it.
Usain Bolt is the fastest man in the world. In a sport where every millisecond counts, you'd think he had the best running technique. He didn't.
The real difference comes to light when you compare him to his rivals. While everyone is tense before the race, he's smiling and already having fun. While everyone runs like perfect machines, his form is natural, light, and yet powerful.
Is he having fun because he's so good? Or is he so good because he's having fun?
I believe it's the latter.
Perhaps we could apply this to our photography. Perhaps we should loosen up, have more fun, improvise more, think less, forget about proper technique, dismiss proper composition.
I took the Rolleiflex out and tried to make a few images in Chain O'Lakes, here in Indiana. I talk a little bit about the main features, what I like, and what I don't.
I got to spend a couple of days in Indianapolis, the capital of Indiana. It was my first time there, and I really enjoyed the city. I didn't have a lot of time for photography, but I did what I could.
This is the video of our weekend in the city.
I'm back after a couple of weeks without videos. This time, from Lake Michigan, my favorite place to photograph in Indiana.
It was a long but very productive day. I revisited old places and used my newest lens for the first time.
I finally had the chance to try CineStill's monobath solution, Df96. This product promises to do the job of three chemicals, all in one: developer, bath stop and fixer.
While I could see how that would save a lot of time, I wasn't so sure about the results I could get.
I've only developed 2 rolls of Ilford HP5 with this solution, but so far, I'm pretty happy with the negatives. And the best of all: I was able to do it almost twice as fast.
I love shooting film, but developing it isn't my favorite thing to do. That's why I welcome anything that makes it easier and faster, like CineStill Df96.
I knew I had to make an image of this pier the moment I saw it for the first time. I had to wait just a few hours for the right conditions, though, so I woke up early and drove to Pacifica just before the Sun rose.
It was a beautiful morning.
Why I believe that realism is overrated.
It took me a long time to write my last post. I started it over several times and couldn't find the right title. It never felt quite finished: I always wanted to change, add, or remove something.
I hadn't posted much on the blog for weeks (even though I have plenty of unfinished drafts) so as soon as I got a draft with an introduction, a few points, and a conclusion, I was ready to publish it.
It wasn't perfect and it didn't need to be. I just wanted to break the bad habit of not finishing things.
I've been struggling with closing projects lately.
I still have many open projects that need my attention, but we need to start somewhere, we need to take that first step, and I feel like publishing my previous post was a small but big victory to me.
I didn't have the chance to photograph New Mexico during my last road trip across the US, and that was something I wanted and needed to fix. I spent 10 days there and photographed some of the places I had seen through the eyes and work for great artists and photographers, like Ansel Adams.
A short video showcasing the editing of my image "Moonrise, White Sands" made in New Mexico a few weeks ago, using Adobe Lightroom CC.
I take a lot of pictures. A lot. That means I'll have to go through hundreds if not thousands of photographs after a trip, which can be overwhelming and take a lot of time.
I've developed a process over the years that is relatively fast and painless. This is how I select my best images.
I had to wake very early and drive for almost 2 hours to get there, but it was totally worth it. What a morning at the Salt Flats.
Utah is one of those places every photographer should visit and photograph at least once in their life.
I'd been to the southern part of this beautiful state before (Zion, Monument Valley...), but I was missing on what are probably the most visited parks: Arches, Canyonlands and Capitol Reef, all very close to each other around this small town, Moab.
This trip wasn't supposed to change that, I want to spend some significant time in the area and this wasn't the best time to do so. I still wanted to get a glimpse of this sacred place for photographers and think about what I could create here in the future.
I only had one morning, and I decided to spend it photographing Corona Arch, just outside of Moab. This is the video of that morning.
I had an amazing time at Great Sand Dunes National Park. I had to drive quite a lot to get here, but it's one of those few locations on my list of "places I must go back". A breathtaking landscape.
I almost didn't make it to this location. I'm very glad I did, because I made some of my favorite images ever that morning in White Sands National Monument, New Mexico.
It was a cloudy and windy day out in the Arizona desert wilderness.
I love making these silent videos. Sometimes, there's nothing to say.
In this video, I wonder about the value on buying photo books. Taking into consideration that we can look at images from our favorite photographers online, at any time and from anywhere, are books still a good investment?
I don't mean a financial investment, by the way. I mean an investment on our photography, to improve our vision and to get inspired.
Also in this video, I venture on the streets of Lisbon looking for a photo book. It'd be the first of my new collection. The chosen one: "Genesis", by Sebastião Salgado.