An image from December 2018 I made in the Alentejo, Portugal.
photographs
Desert tree, Utah
Arches National Park, Utah, November 2020
A path, a house and a tree
Galicia, October 2021.
I made this image during this morning's walk -- a beautiful foggy one. I thought I had already walked every single street and path in this town, but to my surprise I was able to find some new spots around, and even more I didn't have time to explore today.
I loved this scene -- peaceful, calm, beautiful. A little stone house, a tree, and a path.
Pic du Midi d'Ossau in the fog
In my opinion, one of the most beautiful peaks in the Pyrenees mountains. I was lucky enough to see a couple of sunrises at the feet of this magnificient mountain, and during one of them I was gifted with some fog to make everything even better.
Lone tree, Galicia, August 2018
I've been trying to remember where I made this image, because I want to revisit this tree --if it's still there, of course. But I can't remember exactly where I took it, so I guess I'll just have to keep searching.
Foggy night at the bridge
Some images I made last night at the "roman bridge" (even though the locals call it roman, the bridge is actually from the medieval ages) in heavy fog.
Storks, Monforte de Lemos, February 2019
This image was one of my first attempts at wildlife photography with my Bronica SQ-Ai. I failed.
As soon as I got close, the storks flew away and never came back. I waited with my tripod and camera ready for almost an hour. They didn't trust me and I don't blame them.
I moved on and kept making images, but decided to check on them again on my way back home, and good I did. They were back, and this time I won't let them leave without an image.
Having ran out of film, I grabbed my digital camera. That would've been my choice anyway, even if I had film. The Bronica proved too big and slow for a scene like this.
I clicked a few times, but it was with this last composition that I got what I was looking for. Inmediately after, they flew away again. This time, I didn't mind.
You can watch the whole thing on this video: "Wildlife" photography with the Bronica.
Like father like son, O Cebreiro, February 2018
This is not a good place to photograph in the snow. It does snow a few times every winter, but it's not cold enough for it to stick around. You can get a few white days in the mountains, but that's about it.
That's why I wanted to make it to the mountains so bad a couple of weeks ago. A recent storm had left some considerable snow, but the days were about to warm up so the clock was ticking.
I was lucky enough to get a few hours of cloudy weather and I was able to make some good images. I'm still hoping for some more snow in the weeks to come, but I wouldn't hold my breath.
Dawn, A Coruña, February 2019
Sometimes, the best images are the ones we don't expect to make. This is what happened on my recent trip to A Coruña.
This scene was just in front of the hotel where I was staying. I saw it on my second day there, and I visited the location multiple times over a period of 36 hours. I shot it during the day, at night, and before sunrise.
The one I shot at dawn turned out to be the best one, and one of my favorite images I've made this year so far.
White Death, O Cebreiro, February 2019
I showed how I made and edited this image in a video a few days ago, so there's little else I can say about it.
Cemeteries aren't usually places I like to photograph. That day, though, I was looking for subjects that would look good with that layer of fresh snow. Things you wouldn't see covered in snow often in that area.
When I saw it, I wasn't sure I was going to be able to reach it. The path to the cemetery was covered in untouched snow, and the gate was closed. I still wanted to give it a try, and I'm glad I did. I had no problem getting inside.
After a short walk and trying a few initial compositions, I stumbled upon this one. Everything was perfectly in place, a big cross with its white tomb, and a line of other dark crosses in the background.
Once you see a composition, everything is very easy. The hardest part of photography is to recognize it when you see it.
Magic, Sil River, January 2019
I made this image with my Bronica SQ-Ai. It was one of those special moments when you can't believe what you are seeing through the viewfinder. Something so beautiful that you fear your image won't do it justice.
After this shot, I took a bunch with my digital camera (the fog was moving really quick and presented a lot of different compositions), but this is still my favorite.
What a beautiful morning.
Wall of shadows, Estói, December 2018
I stumbled upon this wall during a walk in Estói, Portugal, a few weeks ago. It was around noon on a bright day.
The hursh light was creating all sorts of shadows, and this street light and wall caught my eye. I'm not sure what those little windows were for, but they were the perfect match for the shadow and the paving stone.
Train Station, Pobra do Brollon, January 2019
This is the first image made in 2019 I feature on this blog. I took a shot of this old train station on a very foggy and cold day.
Death, Alentejo, December 2018
While exploring the beautiful Alentejo, I stumbled upon this dead sheep. Alone in the middle of a field, I spent some time looking at it before deciding to take a few exposures.
It was an unexpected and powerful scene and I wanted to take a few minutes before moving on.
Lone Tree, Alentejo, December 2018
One of the many beautiful tress you can find in this region of Portugal.
Roads of the Alentejo, December 2018
Foggy day on one of the many roads of the beautiful Alentejo.
Two Sides, Mértola, December 2018
I had Mértola on my list of places to visit for a while. On my way there, I drove through the Guadiana Valley Natural Park, where I saw signs on the road warning about lynx. Now, that was something new to me!
This is an image of a little chapel on top of a hill, just out of town. The light was harsh allowing only for very high contrast shots. This was what I came up with.
Sheep of the Alentejo, Almodovar, December 2018
I love the landscapes of the Alentejo. My last trip to Portugal was spent mostly in the Algarve, and I mentioned how much I regretted that decision. I do need more time in the Alentejo, hopefully I can go back soon.
Despite being a bit far from where I was staying further south -90 minute drive or so-, I still tried to make some images around there. This is one of them, of some sheep grazing around this tree just before sunset.
Beautiful and calm scenes no matter where you look at. I'm ready to go back.
Urriellu, Asturias, September 2018
Camera and Lens: Sony a6500, 16-70mm f/4 Zeiss
Settings: 16mm, ISO 100, f/6.3, 1/160sec
I've been going through some old images I never had time to work on, and I'm finding a few I really like.
Like this one, taken up in the mountains when the Sun was already setting behind the peaks of Picos de Europa National Park, in Asturias, Spain.
I really can't wait to visit the mountains this winter. Soon!
Oak, Algarve, December 2018
Camera and Lens: Sony a6500, Sigma 16mm f/1.4
Settings: ISO 160, f/2, 1/60sec
I went on a little hike to get some fresh air and try to get the inspiration I've been lacking lately. I picked a nearby trail through the hills of the Algarve and grabbed my video camera.
It was a success. This one is my favorite of the few images I made there, but that was not the point. That little walk filled up my "inspiration tank" and I can already feel it (me writing this post today is proof of it).