Bardenas Reales, Navarre, Spain, September 2021.
Past, present, future
Madeira, November 2021.
Shy windmill
La Mancha, December 2021.
A game of shadows: why and how to crush the blacks
The shadows play a very important role in my photography. By controlling them, I get to decide how much to reveal, and how much to hide. Instead of giving the viewer everything, I like my images to hint.
Moonrise at Mt Hood
Mt Hood National Forest, September 2020.
Lasting tree
Aceredo, Galicia, February 2022.
This tree had been underwater for decades, until it resurfaced very recently. Briefly, as it will be gone again soon, this time maybe forever.
Swing
St Joseph, Michigan, February 2021.
I love capturing objects that feel out of place, like this swing in the middle of nowhere in a snowy landscape.
Above the bridge
Aceredo, Galicia, February 2022.
The bridge that wasn't supposed to look that tall.
Watch the vide: Photographing the underwater town of Aceredo.
A view not seen in decades
Aceredo, Galicia, February 2022.
As the town of Aceredo resurfaced 30 years later, so did some old and forgotten views.
Reflections of a dead tree
Aceredo, Galicia, February 2022.
This tree has been underwater for 30 years. All that time later, and for just a few minutes, the water stood still and I was able to capture this beautiful scene.
Photographing the underwater town of Aceredo
The small town of Aceredo has been underwater for more than 30 years, but it's resurfaced for a brief time due to a drought. Of course, I had to capture it with my camera.
One stick in the snow
Lake Michigan, February 2021.
From my last year's explorations in snowy Michigan.
Peaks of Picos
Asturias, February 2020.
The stunning Picos de Europa mountains.
Blizzard in the Badlands
South Dakota, April 2018.
I can still feel the cold from that day. What a trip this was.
Yet another beautiful foggy morning walking around town
Another beautiful foggy morning walking around town, POV edition.
Cruising the skies
Galicia, Spain.
I love photographing the storks that live around here. This morning, I captured this one coming back to its nest after an early outing.
There's freedom in constraints
Most of my work is black and white, square images.
Over the last few years, I've witnessed quite a few stunning and colorful sunrises, and found scenes that would have worked pretty well on a more traditional 3:2 aspect ratio.
And yet, I stick to monochrome and the square format.
Those are not the only restrictions I impose on my photography. Even though a bit fuzzier than the other two, I'm pretty selective with my subject matter and the conditions I like to shoot in.
All of this might sound pretty restrictive but it is, in fact, liberating. After some time doing photography, I know what I'm looking for and what I'm trying to create with my camera.
If I had to capture everything I found in my explorations in the most fitting way, rather than the way I see it, the experience would be overwhelming. By limiting some of my options, I can better find what I'm looking for.
Sleepy windmills
La Mancha, Spain, December 2021.
Early on a foggy morning, the windmills struggled to wake up.
Family photo, Madeira
Madeira, November 2021.
A "family photo" from the beautiful forest of Fanal, in Madeira.
Old farm
Galicia, Spain, February 2022.
An old farm, still in use, on a foggy day.