A game of shadows: why and how to crush the blacks

The shadows play a very important role in my photography. By controlling them, I get to decide how much to reveal, and how much to hide. Instead of giving the viewer everything, I like my images to hint.

Photographing the underwater town of Aceredo

The small town of Aceredo has been underwater for more than 30 years, but it's resurfaced for a brief time due to a drought. Of course, I had to capture it with my camera.

Yet another beautiful foggy morning walking around town

Another beautiful foggy morning walking around town, POV edition.

There's freedom in constraints

Most of my work is black and white, square images.

Over the last few years, I've witnessed quite a few stunning and colorful sunrises, and found scenes that would have worked pretty well on a more traditional 3:2 aspect ratio.

And yet, I stick to monochrome and the square format.

Those are not the only restrictions I impose on my photography. Even though a bit fuzzier than the other two, I'm pretty selective with my subject matter and the conditions I like to shoot in.

All of this might sound pretty restrictive but it is, in fact, liberating. After some time doing photography, I know what I'm looking for and what I'm trying to create with my camera.

If I had to capture everything I found in my explorations in the most fitting way, rather than the way I see it, the experience would be overwhelming. By limiting some of my options, I can better find what I'm looking for.