journal

Growth is hard, but so rewarding

in

Scotland has been quite a challenging place to photograph, to say the least. For most of my time here, the rain and wind made my job incredibly difficult.

My gear took some damage (exhibit 1, 2 and 3), but I also had to endure the elements myself.

And yet, these challenges made me a better photographer. Scotland pushed me, but it did so in a very positive way. I had to work hard, really hard, but without being overwhelmed by impossible conditions, even though I did face some of those moments.

I feel like I've grown as a photographer more in the last 2 months than in the entire past year, since I went on a similar adventure across Norway. It was tough, even painful at times, but I cherished every minute of it.

Testing our limits, wherever they may lie, is key to growth and progression. Photography is no exception.

Who are you creating for?

in
 

Most watched videos on my YouTube Channel

 

From my experience, a photographer's audience is comprised of mainly two groups: people who enjoy their images; and other photographers.

The latter is a much larger group than the former, and that's why many photographers seem to be creating for others like them.

Take a look at the screenshot above showing the most watched videos on my YouTube channel: many more people want to hear about an 8-year-old camera that is not being made anymore, than to see what can be done with it.

Photography is such an accessible medium (everyone with a smartphone is a photographer!), that most people will come at it from the perspective of a photographer rather than a passive viewer.

Everyone wants to become a better photographer, the faster the better. That's why talking about camera gear sells, or why arguments over ISO values are a thing.

Some photographers have had so much success with this approach that they all but stopped taking pictures. They've become extremely knowledgeable about cameras and lenses, but they might have forgotten how to use them.

However, I'm not here to shame anyone --that expertise is extremely valuable, and we should consider ourselves lucky enough to have it available out there, mostly for free.

But I doubt this was what most of us had envisioned when we first picked up a camera. This is simply a reminder to everyone out there -including myself- to never forget why we started taking pictures in the first place, and who we are creating for.

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Sometimes, I'll rewatch some of my older videos. I love the work I did in the Great Salt Lake, or in the beautiful Lofoten Islands, among many others. But I have never, ever, rewatched any of my top 10 most viewed videos -- the ones focused on camera gear or the technical aspects of photography. And I think that speaks volumes.

Still, the reality of photography is what it is, and that's one of the reasons why I decided to create a second channel a few months ago. I haven't uploaded any video for a while there, but I'm about to start very soon. That is "content" aimed to photographers and nothing else. The main channel will become a sort of sacred place where I shall talk less and less about photography, and more about the why we create.

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Update: I expand on this a bit more in this video.

A mild and moody summer

in

Southern Europe has had a terrible summer so far. Thankfully, here in Galicia things have been very mild. Better than usual weather for photography meant I was spending less time doing what I usually do in the summertime (catching up on work, old projects...) and more out doing what I love: discovering the world through my camera.

Where to stand: Ansel Adams' wisdom

in

It's all about location, location, location!

Ansel Adams said it a long time ago: "A good photograph is knowing where to stand". Of course, there are many other things to making a good photograph, but where to place our camera is arguable one of the most important ones.

In this video, I talk about this as I share a very good example of this.

You have to master your camera

in

Photography is all about timing: being at the right place at the right time. But that's not enough. We need to be ready, we need to be prepared. There's nothing worse than investing vast amounts of time and money to put ourselves in front of magical conditions if we are going to waste it because we don't know where that function is in our camera, if we press the wrong button, or we hesitate about which dial does what.

When we are in the field, it's all about the what (what are we capturing?) and the why. The how is important, but it's something that needs to be trained when the stakes are low. So when things finally come together, the camera disappears and all that remains is the composition in front of us.

Note: this video is one of the first I've uploaded to my second channel, aows.jpg. Subscribe if you want to see more like this one. I tell you everything about this new channel and what that means here.