camera gear

Why I shoot with a high resolution camera (A7Riv)

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For the past five years, I’ve been using high-resolution full-frame cameras for my photography -- starting with the A7Rii, and now the A7Riv. This choice might seem surprising, especially given the type of images I create.

The reason is very simple: cropping.

I crop every single photograph I take, even when I get the perfect framing in-camera. Creating square images means I “discard” a third of the pixels, every single time.

A7Riv’s 61MP let me crop even further, and I often do. Switching to APS-C mode gives that extra reach I sometimes need, effectively turning my 28-200mm superzoom into a 28-300mm, while still producing large, detailed files.

In fact, in APS-C mode, the A7Riv matches the 26MP of a dedicated crop-sensor camera like the a6700. This means I can mount a lens like the 70-350mm and get an equivalent 525mm focal length in a compact setup -- much smaller than the full-frame counterparts. Or mount a prime like the 35mm 1.4 and "switch" to 50mm with the press of a button.

So, it’s not about having 61MP images; I couldn’t care less about that. It's about the flexibility those megapixels give me: I don't have to carry as much gear; or I can shoot in bad weather and not have to worry about switching lenses to get the focal length I need. I like camera gear that gets out of the way, because I can focus on what really matters: subject and composition.

Spring cleaning

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After years of doing this, one thing is pretty clear to me: more gear, more problems. A lesson I should’ve learned a long time ago, and yet, here we are.

During my most recent road trip across the US, despite lugging around 8-9 lenses, I did most of my photography and video work with just 2 of them. Add a couple of primes and the telephoto for those rare images that needed them, and the math tells me I’ve got 4-5 too many lenses.

But it gets worse, because of all the accessories and other gadgets cluttering up my bag: from the neglected 360 camera to the wireless mic that my phone could easily replace. It’s all excess baggage.

So, it’s time for a spring cleaning. I went through my bag (and closet) and decided to part ways with a bunch of stuff. Letting go is the easy part, though. The real challenge will be to resist the temptation to fill those now-empty spaces back up with new and shiny objects. To stay light.

Because out there, when the hike gets tough, when the weather takes a turn for the worse, when you are tired and exhausted after hours of chasing the shot... less is more. Always.

You have to master your camera

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Photography is all about timing: being at the right place at the right time. But that's not enough. We need to be ready, we need to be prepared. There's nothing worse than investing vast amounts of time and money to put ourselves in front of magical conditions if we are going to waste it because we don't know where that function is in our camera, if we press the wrong button, or we hesitate about which dial does what.

When we are in the field, it's all about the what (what are we capturing?) and the why. The how is important, but it's something that needs to be trained when the stakes are low. So when things finally come together, the camera disappears and all that remains is the composition in front of us.

Note: this video is one of the first I've uploaded to my second channel, aows.jpg. Subscribe if you want to see more like this one. I tell you everything about this new channel and what that means here.

Cheap long exposure photography using welding glass

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When life gives you welding glass, you take long exposures! After breaking my last ND filter, I headed to a hardware store to purchase another kind of dark glass, one that I use when I was getting started with long exposure photography years ago. And you know what? It's even better than I remembered. A totally viable option for low budget long exposure photography.

What "Black Friday" can teach us about ourselves

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Camera companies don't sell cameras, or lenses; they are trying to sell us an idea, a hope: buy this piece of equipment and you will become someone else, an adventurer, an explorer; finally being able to make the images you've always wanted to make.

We take the bait, and it feels good for a few hours, or a few days. Photography feels exciting again! But of course, nothing lasts forever, the hedonic treadmill works its magic and we are back to base one, feeling uninspired, until another sale tries to convince us once again that we can get there by purchasing yet something else.

Camera companies, like every retailer during this time of the year, are playing with our feelings of dissatisfaction. Perhaps with our own work, or something else. A feeling we can easily get rid of with just a quick and easy purchase.

As a photographer, I've been and I am there. I too feel dissatisfied, and spend way too much time thinking of camera gear and other easy ways to battle those feelings.

Even during this road trip across Norway I'm on, whenever I felt uninspired and couldn't find any images, I started to fantasize with what other places I should visit next. Almost wishing I was somewhere else. Imagine that, being in Norway and thinking that way!

I speak only from my personal experience, but I believe that these feelings are normal and natural to us. Perhaps, even the source of our creativity. The desire to create something new, the urge to keep getting out, the itch to explore and discover the world.

I think this is our curse, something we will experience as long as we are still growing. I believe that the moment we stop having these feelings, we will have stopped improving. And that'll probably be a sad moment.

So, be aware of this. We feel dissatisfied because we are still growing as photographers, as artists. Recognize that feeling for what it is. Look at it from a distance. Try to accept it. Don't let it define you. Be kind to yourself.

And then, grab your camera and go out make some pictures. That's still the best remedy I've found to put these feelings down.

What's in my camera bag, Norway road trip edition (2022)

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This is a long one. I don't like to talk about gear because I don't want to give anyone the false impression that you need X camera or Y lens to create good images. Nor that you need the cameras I use to create images like mine!

I've used many, many cameras over the years. The style hasn't changed much, but the way I make them has.

So hopefully this video gives you an insight into why I have the cameras and lenses I have. But don't forget that I struggle with this stuff like anyone else, or even worse.

Summer slowdown and camera gear

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The summer is here. Usually, this is the season when my photography slows down the most. This time is even worse, as I'm back in Indiana and I don't have a car to move around.

It is during these times, when I'm not out taking photos as often as I'd like to, that I start to think about camera gear. Perhaps, hoping for that spark of creativity I'm lacking.

I'm also thinking about my cameras and lenses because I did quite a bit of traveling during the last month, and carrying all of it isn't fun. The picture above shows all the gear I brought with me; it's also all the gear I own, for both stills and video. That's the downside of not having a permanent home, I have to bring everything with me when I move.

Believe it or not, all that gear still meet my requirement, the only rule I can't break when it comes to camera equipment: it all has to fit in my camera bag.

The struggle is real, though. Should I downsize? Which lens should I get rid of? Should I just get rid of everything and go compact? Or should I buy a bigger camera bag?

As the summers unfolds, these questions remain in my head. But there's no right answer to the wrong question. What I'm looking for, what we all are looking for, is out there, somewhere. I can't wait to go get it.

If I could use just one lens...

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...that'd be the Tamron 28-200mm f/2.8-5.6.

I never had a super zoom lens before, and I had a lot of doubts about this one before getting it. And now I can't see myself with it. In many ways, it is the replacement of my now dead RX100VII.

I just love the range, image quality, and speed in that small package. It's also relatively affordable, especially for a full-frame lens.

Of course, it comes with some compromises, like strong vignetting (fixable in post for the most part), variable aperture (it goes down to f/3.2 by 32mm, and it reaches f/5.6 at 158mm) and, above all, it lacks stabilization - this could be a problem when shooting at long focal lengths. Personally, it wasn't a deal breaker for me.

Camera gear I carry on my daily walks

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I love walking, and I love photography. So, of course, a big part of my photography is done during my daily walks.

The camera gear I carry with me has changed quite a bit over the years, as I try to find the balance between flexibility, versatility, convenience, image quality, and low light performance. In this video, I talk about my current gear.

You can find a more exhaustive list of the camera gear I use for photography and video here: my camera gear.

Nothing will ever beat good timing

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The snow and ice are melting really quick, and they are revealing all kind of scenes. I stumbled upon this one during my morning walk yesterday: an American flag that had been underwater for a while.

phone

“real camera”

I knew there was an image there, so I turned on my compact camera and started to look for the right angle. After just a few seconds, it died. "Battery exhausted". I couldn't believe it.

I knew it was about to die when I left home, and made the terrible mistake of not bringing an extra battery. So I did the only thing I could do: I pull out my iPhone 7 and took a shot.

I immediately loved the result and I wanted to capture it again with a better camera. So I went home, grabbed a new battery, and soon enough I was back at the scene. It had taken me half an hour, but it was too late. Everything that made the image work earlier was just not there anymore: the Sun was higher in the sky and the reflections on the water looked bad; also the wind had picked up creating small waves.

It goes to show that camera gear does matter, but nothing will ever beat good timing: being at the right place, at the right moment.