My work was featured in The Independent Photographer's "10 landscape photographers to watch" article.
Cemetery, II
Galicia, October 2024.
Gated Tree
Galicia, November 2024.
O Courel
Galicia, October 2024.
Interview with Frames Magazine
I recently sat down (virtually) with Tomasz from Frames Magazine to talk about my work and photography in general.
Fall path
Galicia, November 2024.
Cemetery, I
Galicia, October 2024.
Spooky
San Francisco, September 2024.
Somewhere
Galicia, October 2024.
From the video I broke my one rule... and it cost me.
I broke my one rule... and it cost me
I didn't follow the rules I've set up for myself... and I missed a couple of good shots.
Morning Sun
Galicia, October 2024.
The light at the end of the stairs
Galicia, October 2024.
Why I shoot with a high resolution camera (A7Riv)
For the past five years, I’ve been using high-resolution full-frame cameras for my photography -- starting with the A7Rii, and now the A7Riv. This choice might seem surprising, especially given the type of images I create.
The reason is very simple: cropping.
I crop every single photograph I take, even when I get the perfect framing in-camera. Creating square images means I “discard” a third of the pixels, every single time.
A7Riv’s 61MP let me crop even further, and I often do. Switching to APS-C mode gives that extra reach I sometimes need, effectively turning my 28-200mm superzoom into a 28-300mm, while still producing large, detailed files.
In fact, in APS-C mode, the A7Riv matches the 26MP of a dedicated crop-sensor camera like the a6700. This means I can mount a lens like the 70-350mm and get an equivalent 525mm focal length in a compact setup -- much smaller than the full-frame counterparts. Or mount a prime like the 35mm 1.4 and "switch" to 50mm with the press of a button.
So, it’s not about having 61MP images; I couldn’t care less about that. It's about the flexibility those megapixels give me: I don't have to carry as much gear; or I can shoot in bad weather and not have to worry about switching lenses to get the focal length I need. I like camera gear that gets out of the way, because I can focus on what really matters: subject and composition.
Cross of Davidson, II
San Francisco, September 2024.
Evening walk
Galicia, October 2024.
Touch down
Galicia, October 2024.
From the video Am I consistent... or just repetitive?.
Through the Canyon
Galicia, October 2024.
From the video Am I consistent... or just repetitive?.
Am I consistent... or just repetitive?
Oh, the delicate balance between consistency, working a subject matter or location over years, and avoiding stagnation. To make matters even worse, we live in a fast paced world that demands new and shiny things every couple of weeks. What is a photographer to do with all of this?
The church and the mountains
Lofoten Islands, Norway, September 2022.
From the video Lofoten.
Conwy Castle
Wales, October 2023.