Yosemite, September 2024.
From the video This was my last chance...
Yosemite, September 2024.
From the video This was my last chance...
I’m back home — whatever that means.
Over the years, I’ve called many places "home", some of them separated by oceans and several time zones. Each one has left its mark on me, and now, no matter where I am, there's a feeling of longing. Always missing something, somewhere.
My life feels like a collection of fragments that will never form a complete picture, because they are all far from each other. It's like a puzzle you can only glimpse one piece at a time, never the whole.
But don’t get me wrong: it’s a beautiful, big and rich puzzle. Imperfect, yes, and not without its downsides, but I wouldn’t trade it for anything else.
Madrid, November 2024.
Galicia, October 2024.
Galicia, November 2024.
My work was featured in The Independent Photographer's "10 landscape photographers to watch" article.
Galicia, October 2024.
Galicia, November 2024.
Galicia, October 2024.
I recently sat down (virtually) with Tomasz from Frames Magazine to talk about my work and photography in general.
Galicia, November 2024.
Galicia, October 2024.
San Francisco, September 2024.
Galicia, October 2024.
From the video I broke my one rule... and it cost me.
I didn't follow the rules I've set up for myself... and I missed a couple of good shots.
Galicia, October 2024.
Galicia, October 2024.
For the past five years, I’ve been using high-resolution full-frame cameras for my photography -- starting with the A7Rii, and now the A7Riv. This choice might seem surprising, especially given the type of images I create.
The reason is very simple: cropping.
I crop every single photograph I take, even when I get the perfect framing in-camera. Creating square images means I “discard” a third of the pixels, every single time.
A7Riv’s 61MP let me crop even further, and I often do. Switching to APS-C mode gives that extra reach I sometimes need, effectively turning my 28-200mm superzoom into a 28-300mm, while still producing large, detailed files.
In fact, in APS-C mode, the A7Riv matches the 26MP of a dedicated crop-sensor camera like the a6700. This means I can mount a lens like the 70-350mm and get an equivalent 525mm focal length in a compact setup -- much smaller than the full-frame counterparts. Or mount a prime like the 35mm 1.4 and "switch" to 50mm with the press of a button.
So, it’s not about having 61MP images; I couldn’t care less about that. It's about the flexibility those megapixels give me: I don't have to carry as much gear; or I can shoot in bad weather and not have to worry about switching lenses to get the focal length I need. I like camera gear that gets out of the way, because I can focus on what really matters: subject and composition.
San Francisco, September 2024.
Galicia, October 2024.