There are so many spots within an hour drive from where I live now, locations I had neglected for very long. It was about time to fix it.
Through Glencoe
Scotland, September 2023.
From the video Glencoe.
Half Dome, III
Yosemite, September 2024.
From the video This was my last chance...
Rocks of Time, VI
California, December 2024.
From the video Moody photography at the California Coast.
Ansel's Church
Bodega Bay, California, December 2024.
From the video Photography in zero visibility at the Sonoma Coast.
End of the land, IX
San Francisco, December 2024.
From the video Originality is overrated.
Originality is overrated
I believe that trying to be original for the sake of it is counterproductive, and ultimately impossible. Instead of worrying about what others have or haven’t done, we should focus on being true to ourselves and photographing subjects that resonate with us. If that’s an iconic location, so be it. If it’s something no one else has photographed before, that’s great. Perhaps it's a combination of both.
Naked Tree
Indiana, January 2023.
Snowstorm at the Casino
Nevada, December 2024.
From the video Photography under a foot of snow in Tahoe.
Fenced in, VI
Tahoe, California, December 2024.
From the video Photography under a foot of snow in Tahoe.
Houses of Indiana, I
Indiana, January 2023.
Off season
California, December 2024.
From the video Photography under a foot of snow in Tahoe.
On quitting my job to become a full-time photographer
Outdoor photography gets romanticized often, but the reality can be very harsh for most of us. A dream job is still a job, after all.
In this video, I talk about why I took the step of quitting my job and becoming a full-time photographer, how to make money with photography, and some practical tips.
Dock at Tahoe
California, December 2024.
From the video Photography under a foot of snow in Tahoe.
Big cow
Galicia, July 2023.
Full Moon over Golden Gate Bridge, I
San Francisco, January 2025.
Websites vs Social Media for photographers
With TikTok facing a potential ban and Instagram ruining profile grids, many creators are questioning if building a presence on social media is worth the effort, given the uncertainty of the medium.
I’ve always advocated for personal websites and blogs: a platform you can truly own, free from the whims of tech billionaires. At the same time, though, I don’t shy away from sharing my work on social media.
These days, a website feels like opening a studio in a quiet, rundown part of town, while everyone is hanging out at the mall. It is flashy, lively, and all the cool kids are there. They even offer us a little corner for free, so we can speak our truths to the whole world.
That’s until the mall starts charging a fee and diverting visitors to the business placing the highest bids. Over time, you also realize that even though you got to interact with a lot of visitors, most of those interactions were fleeting. You’ve never seen those people ever again.
Yet, among the noise, meaningful connections still happen every now and then at the mall. While I’ve connected with fellow photographers through my or their websites, most of my relationships with people in this field have come through social media.
This has never been a case of the website or social media, but about embracing both the website and social media. The most beautiful, personal website is useless if no one ever visits; and your social media presence relies on whatever happens to please the owner that day of the week.
There’s no ideal solution to the problem of reaching an audience in this noisy, loud world. I believe that embracing both worlds is the best we can do.
Rocks of Time, IV
California, December 2024.
From the video Moody photography at the California Coast.
Why I add white borders to the images I share on social media
This is an excerpt from my eBook Creative B&W Editing in Lightroom:
"If you follow me on social media, you may have noticed that I add white borders to the images I share there. The idea behind these borders is to maintain a consistent perception of the images across various platforms and viewing conditions.
I have very little control over how my images are displayed on platforms I don’t own. With the relatively recent introduction of a dark mode (night mode) on mobile devices and apps, the same photograph can now be presented against a white background during the day and a dark one at night, effectively altering the perceived tonality of the image.
By adding borders to my photographs, I can have at least some control over how the viewers will perceive the tonality, regardless of how the platform decides to present my work.
On the platforms I fully control —and that is, my website—, I publish my images without borders while still ensuring a consistent experience."
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Sadly, Instagram is rolling out a change to the way it displays profile grids, so I might have to tweak my approach a little. But this change further proves the importance of controlling how your imagery is presented.
I believe these little details matter a lot, as they can significantly change how a photograph is perceived.
Sonoma, I
California, December 2024.
From the video Moody photography at the California Coast.