Montana, March 2026.
From the video Great photography in Montana... until everything went wrong.
Montana, March 2026.
From the video Great photography in Montana... until everything went wrong.
Montana, March 2026.
From the video Great photography in Montana... until everything went wrong.
It was being a great day of photography in the Northern Plains... until everything went wrong. Car broke down, one of my cameras stopped working... but I tried to make the most of it anyway.
Grand Teton National Park, Wyoming, February 2026.
From the video Photographing a snowstorm in Jackson, Wyoming.
Indiana, December 2025.
Oregon, March 2026.
From the video How (and Why) to do Long Exposure Photography ~ from the CA & OR Coast.
Oregon, March 2026.
From the video How (and Why) to do Long Exposure Photography ~ from the CA & OR Coast.
California, March 2026.
Oregon, March 2026.
From the video How (and Why) to do Long Exposure Photography ~ from the CA & OR Coast.
I visit the northern California / souther Oregon coast, and I show you how I go with long exposure photography. From gear, to settings, to why.
California, March 2026.
San Francisco, March 2026.
From the video One adventure a day keeps burnout away.
San Francisco, March 2026.
From the video One adventure a day keeps burnout away.
San Francisco, March 2026.
From the video One adventure a day keeps burnout away.
I go up to Twin Peaks in San Francisco searching for a little photography adventure. It didn't dissapoint.
Oregon, November 2025.
From the video I wasn't ready to leave.
Scotland, September 2023.
From the video Photographing the Isle of Harris, Scotland.
Utah, November 2025.
From the video I let AI plan my 2,200-mile photography road trip across the country.
The way out of a creative rut is new camera gear. Or is it?
Wyoming, February 2026. Image from the video Photographing a snowstorm in Jackson, Wyoming.
Not far from Jackson, the Snake River Overlook was immortalized more than 80 years ago by Ansel Adams. The image he made there became one of the most recognized landscapes in American photography.
That view no longer exists as he captured it. Trees now block the river, and the "S" curve Ansel froze in time is no longer visible from the overlook (I imagine a drone could still get a similar shot, but they're not permitted in the park so don't even think about it)
I love visiting locations made iconic by masters of photography because they give us a glimpse into how they saw a landscape. I try to recreate their pieces, and to come up with something new.
But more than anything, these places are a reminder that nothing is permanent. Everything is always changing: some things disappear, others are born.
Rather than mourning what's gone, let's appreciate the present. The world is full of locations waiting to be made iconic by our cameras. We just need to find them.