We are going to spend the next two months in Northwest Indiana, where the conditions are far from perfect and very, very different from what I'm used to. This is how I plan on approaching landscape photography in artic temperatures and with no wilderness in hundreds of miles.
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I'm sure you've read many times that camera gear doesn't matter: a good photographer should be able to make good images no matter what they are using.
Let me try to make an argument of the contrary: why I think that camera gear not only matters, but *it matters a lot*.
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Hi there! I'm currently writing this on my phone at Atlatl Rock Campground in the stunning Valley of Fire, an hour Northeast of Las Vegas, in Nevada. We'll be out of here when you read this though - there's no service so I can't post it until tomorrow.
I just wanted to give you a quick update about the trip, and why there's been a the lack of updates here on the website, and on my YouTube channel.
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When I switched to film, there was pretty much only one thing I was worried about: metering. I didn't mind manual focusing (I actually love it and only use manual lenses on my digital cameras as well, except the one I use for video), having only 12 shots per roll, not being able to view my shots, or any other "annoyances" that come with shooting film.
It was all about metering the scene. I didn't want the camera to get in my way of taking pictures and become more a problem than something that should facilitate a creative process.
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It'd been my 5th or 6th time in SF but I was yet to see that famous fog. I only had a few days there and this isn't the best time for the Bay fog (summer is peak season) but I was determined to be there in case some floating water decided to show up. But for 3 mornings in a row, it didn't.
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I must admit, reciprocity failure was a foreign concept to me when I started shooting film. "Recipro-what?"
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Last trip to Mt Hood! This one was a very special one for me.
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The last two episodes from my trip to the North Cascades National Park a couple weeks ago. Here I go to Winthrop, Washington Pass Overlook and I return to Diablo Lake Overlook where I was given the gift of a beautiful sunrise.
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When I knew I had a few days to go anywhere I wanted in the PNW, this place was the first to come to my mind.
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Thee more contact sheets, from four different trips. All shot with the Bronica SQ-Ai, two rolls of Kodak Tri-X and one of Ilford HP5+.
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Nice things have happened recently: one of my photos was selected in the Editorial Team Shortlist of the Unsplash Awards 2017, and two more are now music album covers.
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As you know if you follow this blog, I'll be on the road for the next few weeks and not having a permanent address could be a challenge for a film photographer like me: how am I going to get film? So I just went ahead and got a lot of film, $500 worth of it.
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Last Friday I drove to the coast to spend the afternoon / evening visiting and photographing some spots (Lincoln City, Neskowin, Pacific City and Cape Lookout).
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I recently uploaded this video where I talk about what is in my camera bag, but I also wanted to post something on the blog for those who prefer the written form.
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Bulk loading film is an excellent option to save some money when shooting 35mm. But I'm not going to do it anymore.
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