Sonoma Coast, California, December 2024.
From the video Photography in zero visibility at the Sonoma Coast.
Sonoma Coast, California, December 2024.
From the video Photography in zero visibility at the Sonoma Coast.
The Tamron 28-200mm is, without a doubt,my all-time favorite lens. It’s rarely left my camera since I bought it 4 years ago, coming with me to several countries and through all kinds of conditions -- from the heat of the desert to bitterly cold blizzards. It’s never let me down, and I’ve take thousands of photographs I truly love with it.
I was perfectly happy with this lens... until I made the mistake of watching an old review of it. The reviewer found it soft at certain focal lengths, too slow, lacking optical stabilization, incapable of resolving detail for high-res sensors, and more. Their tests were clear and convincing, too.
What followed were a couple of days of unnecessary self-doubt. I’m dramatizing a bit here, but I wondered whether there was something wrong with me, how come I can’t see the flaws they were talking about in my photos?
To find out, I compared the Tamron to another one I own, the Sony 35mm GM, a lens that had gotten glowing reviews. The results were clear: the Tamron was soft.
And yet, that was not noticeable in the actual images or the prints I made of them. You have to zoom in to 200%, or beyond, to spot that softness in certain parts of the frame. If anything, the 35mm was too sharp.
After wasting a few hours running silly tests at home, I’m happy to report that I love my lens again, perhaps even more than before.
Take gear reviews with a big grain of salt. There’s nothing wrong with researching and understanding what is that you are getting for your money, especially when you are trying to decide between two similar lenses. But don’t forget to consider your unique needs.
That shiny prime lens might be sharper than the zoom, but will it help you get the shots you want? That big, fast zoom might be technically superior, but will the added weight leave you exhausted after an hour of shooting?
After all, photography is not a science.
After years of sharing my work online -my images, my workflow, my opinions, my successes and my mistakes- it still surprises me that most of the little “hate” I’ve received has been about how I treat my cameras.
This happens less now that I’ve switched to digital -apparently, no one seems to care about the fate of a soulless Sony camera. But it was a different story when I used to shoot film with my beloved Bronica SQ-Ai. You’d think I was committing some kind of crime whenever I showed that camera getting rained on. I probably caused some panic attacks the day I dropped it on a sandy beach.
And because the work I created with that beauty is still out there, every once in a while I get another message along those lines.
Whenever I get one of these messages, I think of something I read a while ago about books, which I’ve adapted to cameras: “buying books and reading books are two completely different hobbies”.
There’s nothing wrong with appreciating and loving the design of a beautifully crafted camera, even if it only serves as decoration on a shelf. Just don’t expect everyone to feel the same way towards devices that were meant to take photos out in the field, in the real world.
South Lake Tahoe, California, December 2024.
From the video Photography under a foot of snow in Tahoe.
Bodega Bay, December 2024.
From the video Photography in zero visibility at the Sonoma Coast.
San Francisco, January 2025.
Nevada, December 2024.
From the video Photography under a foot of snow in Tahoe.
Sonoma Coast, California, December 2024.
From the video Photography in zero visibility at the Sonoma Coast.
I visit a location I've been neglecting, despite being not too far from where I live: Bodega Bay and the Sonoma Coast. I was expecting some weather and I got plenty of it. Rain, mist, wind, and high surf. I loved it.
Oregon, December 2016.
San Francisco, December 2024.
Borrego Springs, California, December 2024.
From the video From foggy cemeteries to slot canyons in the American Southwest.
I like to say that instead of photographing a location, I capture the conditions. That’s why I often don’t go somewhere, I go there when something is happening.
That was the case for my last trip to Lake Tahoe. I had been there a few years ago, and struggled with the image-making. I knew the place had potential; I just needed the conditions that work best for me.
Several days before the trip, I noticed the forecast: up to a foot of snow in the Tahoe area. I have some of my favorite spots in the weather app, so I’m almost constantly checking the conditions around me.
Of course, long-term forecasts can be little more than educated guesses, especially when it comes to predicting the weather up in the mountains. So, I waited until the last minute to book a room, once it was pretty clear the snow was coming.
Luckily, prices not only didn’t go up... they dropped. Mid-December is low season in Tahoe. It’s cold for swimming and hiking, but too early for skiing and the holidays. I find that when conditions are bad for crowds, they usually make for good photography… and for finding relatively affordable lodging.
I am so glad I gave Tahoe another chance. After all, there are no bad places to photograph, only bad conditions.
California, December 2024.
From the video Photography under a foot of snow in Tahoe.
South Lake Tahoe, California, December 2024.
From the video Photography under a foot of snow in Tahoe.
Tahoe, California, December 2024.
From the video Photography under a foot of snow in Tahoe.
Tahoe, California, December 2024.
From the video Photography under a foot of snow in Tahoe.
Lake Tahoe, California, December 2024.
From the video Photography under a foot of snow in Tahoe.
My search for bad weather takes me to Lake Tahoe this time, where up to a foot of snow is expected. An adventure full of struggles, good moments, frustrating times, and some nice images.
Salton Sea, California, December 2024.