motivation

Perseverance makes the photographer

DSC08001_borders.jpg
DSC09931_borders.jpg

It took me 4 days to make these images. Four days going to the same spot, hoping to find the right conditions. Until it finally happened. But as I was taking the photos, a car stopped by, someone stepped out with a camera, took a couple of shots, and left. Just like that, they got the same image it had taken me several days to make.

Anyone can get lucky - I have gotten lucky more times than I can count. Luck plays a very important role in photography, especially in outdoor photography where very few things are under our control.

Photographers must seek that luck, though. We have to put ourselves in situations where luck has no option but to find us. Perseverance will give us a better chance to get lucky.

Miserable... and alive

We got yet another snowstorm. While the other ones had come overnight, this one happened during the day so I had the chance to go out and photograph it.

It was brief but very intense, a mix of heavy snow and sleet, and some strong winds. You wouldn't be blamed for calling those conditions miserable.

Yet somehow, I loved it and felt sad when it was over. For over an hour, I got soaked, I was cold, my cameras were taking a beating... all of that made me feel so alive.

That's what photography is for me. A tool of discovery, to experience moments that I would otherwise avoid in exchange for some comfort.

That's why we photograph.

Why we photograph

Why do we go through such hardship for a few images? Why do we wake up so early? Why do we face the elements? Why are we willing to be cold, hot, wet, burnt, exhausted... all for an image? Why do we keep trying, over and over?

Why?

It's because we need it, as much as we need to breathe.

It's because it makes us feel in peace.

It's because we can see.

It's because we want to feel alive.

The world reveals itself when you pay attention. Our duty is to witness the beauty and show it to others, to become their eyes.

We are half crazy, or full crazy.

We pour our souls and hearts, we are obsessed, dedicated, passionate.

We want to show what needs to be seen, what needs to be known.

A day spent making images makes us feel. Calm, excited, exhausted and happy. Part of something much bigger than ourselves.

We wander, we are free.

When the time comes to pack and head back home, we are not the same. We are changed, every shot, every photo, every place, every subject is now part of us, they make us who we are. But the fire never goes away, AND we are excited because we know we get to do it again tomorrow.

Video was filmed at Dog Mountain, Washington.

“Where’s the Bronica?”

"Beautiful images, but where is the Bronica?"

If someone paid me $1 every time I get asked about the Bronica, I'd be making a very comfortable living off of photography.

We like to say we don't care about gear but at the end of the day, it's what we pay the most attention to. After all, buying a new camera and learning how to use it is a clear goal, something actionable anyone can do. We feel like we make progress.

Figuring out what to do with that camera is harder, though. Even though the purpose behind our photography is all that matters in the end.

I struggle with this like everyone else, and sharing my journey as I try to get closer to the what and the why, and not the how, is my purpose.

What's yours?

How to make time for photography

One of the recurring themes in the messages I get from other photographers is about their struggle to find time for photography on a daily basis.

Today, we are so busy all the time! It's the busyness era. If you aren't doing something, you are falling behind. It's all about the hustle, right?

This is an issue I'm deeply interested in. Recently, I read the book related to this topic, Make Time, and in this video I share some of the key points from the book, along with some of my own, all applied to photography.

We'll see why we are so busy, why we need to make time for photography, the highlight of the day, and several tips to make time for photography.

Photography as meditation

Many times, while I photograph, I lose track of time. I forget where I am. I don't even realize until later how cold it was, or how wet my clothes were from the rain.

It's when this happens that photography feels like meditation. It's not a mystical experience -rather, it's about being fully aware of your surroundings and focusing on the present moment. Forgetting about what time it is, which day of the week it is, why you are even there. You feel at peace.

“The greatest events are not our noisiest but our stillest hours” - Friedrich Nietzsche

In meditation, the breath is the anchor to the present moment. In photography, it's composing an image. For a few moments, nothing else matters - I hold my breath, I'm alone, I can feel what I'm doing, I can see the image.

Photography done this way encourages mindfulness, you can find a quiet state of mind by surrendering to the process. Through patience, photography compels you to see, not just look.

And it's then, when we see, that magic can happen.

Make images that spark the imagination

"The unseen is what fuels the imagination" - Om Malik

Have you ever wondered why readers who like a book usually dislike the movie version of the same story? In most cases, this is because no matter how good the author is and how many words they use to describe the characters and the places, a book is a non visual medium and in the end it relies on the reader's imagination to fill the gaps. Every reader will live the story in a unique way, making it more engaging and personal. On the other hand, the movie gives up almost everything with its visuals, every person watching it will see the same, there's not so much room for imagination.

Even though photography -like films- is a visual medium, there are some ways we can spark the imagination of the viewer. This will make them stop while scrolling down on their Instagram feed, or stare at the image a bit longer in an exhibition. When we get that kind of attention, that means the image works.

Black and white, removing details from the shadows and highlights, using the weather to your advantage, shooting at night... are just some of the techniques we can use to make our images a bit more obscure. In the video above, I show you an example.

Try to create intentional gaps in your images, so the viewer has to use their imagination to fill them in. By making some things go unseen, you'll be adding more to the image.

Related: Hint, don't show, 5 ideas to make images in the fog.

Inspiration is for amateurs

“Inspiration is for amateurs, the rest of us just show up and get to work” - Chuck Close

I've said it many times, but it's worth repeating it every once in a while: we don't take photos because we are inspired, we become inspired because we take photos.

It's by acting and doing that we get motivated and inspired to create meaningful art. Some times, that means we have to push ourselves a little bit to get out and work. While it might sound hard at first, it's always worth it.

The Photography Sage

 
 

A Sage is someone who has achieved wisdom. According to Donald Robertson in Stoicism and the Art of Happiness, the Stoics saw this person as

someone perfectly wise and good, giving the aspiring Stoic direction, structure, and consistency in her practice

In this context, a Sage would be a role model, someone to be emulated.

Many times, I like to put myself in other photographer's skin and try to see the way they would see (or the way I think they would see, at least). I also have a fictional photography Sage I try to emulate.

What characteristics would a photography Sage have?

These are some of the virtues my own photography Sage would have, and the ones I try to emulate. Of course, I fail often if not most of the time, but they give me a sense of direction and serve as a guide.

What about you? What would your role model look like?