journal

There's freedom in constraints

Most of my work is black and white, square images.

Over the last few years, I've witnessed quite a few stunning and colorful sunrises, and found scenes that would have worked pretty well on a more traditional 3:2 aspect ratio.

And yet, I stick to monochrome and the square format.

Those are not the only restrictions I impose on my photography. Even though a bit fuzzier than the other two, I'm pretty selective with my subject matter and the conditions I like to shoot in.

All of this might sound pretty restrictive but it is, in fact, liberating. After some time doing photography, I know what I'm looking for and what I'm trying to create with my camera.

If I had to capture everything I found in my explorations in the most fitting way, rather than the way I see it, the experience would be overwhelming. By limiting some of my options, I can better find what I'm looking for.

How to make square images

The vast majority of my photography is in square format, and it's been this way for a few years now. In this video, I share many of things I've learned over time about the square format, as well as plenty of examples for every compositional technique.

I'm also releasing an e-book with all the information in this video, and much more! Additional compositions and many more examples.

My Patreons get the book for free. You can also purchase a copy of "How to make images in square format".

Every pixel counts

It is tempting to believe that a good subject will make for a good photograph. That all what need is a beautiful tree, a grand vista, or a stunning mountain peak. In this video, I want to argue that this isn’t enough. That we need to pay attention to every inch, every pixel, of our image. Otherwise, we might end up with an image that doesn’t do justice to that amazing subject.