journal
This is a topic that keeps coming up. How far can we go with our editing? When does it stop being photography to become "digital art"? Is the digital darkroom different from the analog darkroom?
So many question, and so many different answers.
Everything around us is ephemeral, even if sometimes it doesn't feel like it. I've taken for granted many places in the past, just to see them gone due to natural disasters; especially wildfires. A big fire burnt some of the landscapes I was photographing not even 3 months ago. Familiar spots, gone; favorite trees, burnt to the ground. But life will come back, changed.
Editing is a very important step in the creative process. And masking tools are some of the most powerful instruments we have in our toolbox to improve our images and bring our vision to life.
ONE has been sold out for over a year, until now. I just got new copies of the book, and they are ready to ship. Click here to grab yours now.
Unfortunately, I'm only shipping to the US at this time.
Just over a year ago, I published my photo book ONE. Years worth of photography, and weeks of hard work summed up in one volume. It was a lot of work, and in this video, I wanted to share the whole process with all of you. We'll see how to select the images, sequence them, design the book, promote it, sell it, and ship it.
By the way, there are new copies of ONE available.
I believe that taking pictures every day is one of the best ways to improve as a photographer.
When I was looking for options to travel from California to the Midwest, one stood out: the train. I love trains, the route was absolutely gorgeous, and it was much cheaper than flying. What was the catch, then? Time.
This was a long trip, as we spent 56 hours on a train. If you add the almost 4 hours we waited at the train station, then the whole trip was a whopping 60 hours.
And yet, I'm so glad I did it. Something I will never forget.
The summer is here. Usually, this is the season when my photography slows down the most. This time is even worse, as I'm back in Indiana and I don't have a car to move around.
It is during these times, when I'm not out taking photos as often as I'd like to, that I start to think about camera gear. Perhaps, hoping for that spark of creativity I'm lacking.
I'm also thinking about my cameras and lenses because I did quite a bit of traveling during the last month, and carrying all of it isn't fun. The picture above shows all the gear I brought with me; it's also all the gear I own, for both stills and video. That's the downside of not having a permanent home, I have to bring everything with me when I move.
Believe it or not, all that gear still meet my requirement, the only rule I can't break when it comes to camera equipment: it all has to fit in my camera bag.
The struggle is real, though. Should I downsize? Which lens should I get rid of? Should I just get rid of everything and go compact? Or should I buy a bigger camera bag?
As the summers unfolds, these questions remain in my head. But there's no right answer to the wrong question. What I'm looking for, what we all are looking for, is out there, somewhere. I can't wait to go get it.
I'm 40 years old. At this point, it's almost a tradition for me to be somewhere beautiful to do some photography on my birthday. This time, in San Francisco. And what a surprise the city had for me.
I spent a couple of days in beautiful Point Reyes, California, and this is what I saw and did there.
Usually, my photography trips are pretty chaotic, as I adapt to the conditions and go with the light. But I have a bit of a system to choose where to go, and when. At the end of the day, though, it's all about getting out.
Hello from San Francisco, where I was hoping to catch a moody, foggy day. Instead, I got a sunny, clear and very bright time at the Bay. Because not every day is foggy.
A much needed time outside with my camera.
I recently lost another of my tripod feet. Instead of replacing with an original, expensive one, I decided to make a foot using a cork from a bottle of wine.
I had already done this with another of the legs, and it works really good! Haven't lost it in several weeks of intense use, and if I ever do, it will very easy and cheap to replace again.
Digital cameras have made photography much easier, faster, and accessible to everyone. But not everyone thinks this is necessarily good. Let's talk about why photography can be too easy, why it probably shouldn't, and how to keep it engaging enough that we don't get bored in the long term.
Rain, wind, cold, and mountains. The perfect cocktail for some moody photography.
The latest issue of my newsletter is out: aows #41, on timing over location and subject.
This time, I talk about the recent blizzard we had here, and the concept I touched in the video: why many times the when is more important than the what in photography.
You can read all the newsletter's past issues and subscribe here: aows newsletter.
The winter was over; or so I thought. A rare spring blizzard hit the mountains of Galicia, in NW Spain, and being just an hour away, I couldn't miss it. Because in photography, timing always trumps location and subject. An incredible couple of days spent in the snow, a time I used to make tons of images.
Life is full of choices. Each of them takes us further down the road, never to find the same intersection again.
We all want to do a lot of things with and in our lifes. But that's not possible.
I'd love to have my own place, one I can call home; I'd also love to keep traveling, never really settling down.
I'd love to have the experience of having a kid; I'd also love to do the things I couldn't do if I had one.
Our lifes are finite, so we must choose. Some of these decisions scare us to the point of paralyzing us.
"The reason why fantasies of the future are so much more pleasant than doing them in the present, it’s because we get to hang on all of them. It is the choosing that is painful, choosing what we will do and what we don’t that most avoid doing."
-- from a podcast I listened to, whose name I forgot to write down :(
When I quit my job to become a full-time photographer, I had a fantasy: I'd travel the world, visit all continents, make images everywhere.
I wasn't so naive to think I'd travel so much, but I was expecting to go to many more places than I have ended up going to so far. In part because of the pandemic, which was a choice none of us wanted to take but were forced to.
Even though I'm still young enough to keep traveling for years to come, every time I decide to go somewhere, I'm also deciding not to go somewhere else. One decision at a time, I'm carving a path; one with many destinations, but one that will skip most of them.
I did not understand that one future comes at the exclusion of all others.
I had wanted two kids.
I had wanted to travel the world.
I had wanted to be the one to hold my mother’s hand at the end.
Everybody pretends that you only die once. But that’s not true. You can die to a thousand possible futures in the course of a single, stupid life.
-- No Cure for Being Human, Kate Bowler
Whether we want it or not, we must choose. We will miss on many, many things; we will get to do just a few, to experience a handful of them.
That's why it's so important to focus on what we do get to do, on what we do get to experience. And to share it with those people whose path didn't take them the same route.
