How to use aspect ratios to create better compositions
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What a beautiful day of photography at the coast! It was so packed and productive that I learned 7 lessons I want to share with you.
Many times, while I photograph, I lose track of time. I forget where I am. I don't even realize until later how cold it was, or how wet my clothes were from the rain.
It's when this happens that photography feels like meditation. It's not a mystical experience -rather, it's about being fully aware of your surroundings and focusing on the present moment. Forgetting about what time it is, which day of the week it is, why you are even there. You feel at peace.
“The greatest events are not our noisiest but our stillest hours” - Friedrich Nietzsche
In meditation, the breath is the anchor to the present moment. In photography, it's composing an image. For a few moments, nothing else matters - I hold my breath, I'm alone, I can feel what I'm doing, I can see the image.
Photography done this way encourages mindfulness, you can find a quiet state of mind by surrendering to the process. Through patience, photography compels you to see, not just look.
And it's then, when we see, that magic can happen.
A chilly and foggy morning spent in the woods. I love having this weather in mid-June!
"The unseen is what fuels the imagination" - Om Malik
Have you ever wondered why readers who like a book usually dislike the movie version of the same story? In most cases, this is because no matter how good the author is and how many words they use to describe the characters and the places, a book is a non visual medium and in the end it relies on the reader's imagination to fill the gaps. Every reader will live the story in a unique way, making it more engaging and personal. On the other hand, the movie gives up almost everything with its visuals, every person watching it will see the same, there's not so much room for imagination.
Even though photography -like films- is a visual medium, there are some ways we can spark the imagination of the viewer. This will make them stop while scrolling down on their Instagram feed, or stare at the image a bit longer in an exhibition. When we get that kind of attention, that means the image works.
Black and white, removing details from the shadows and highlights, using the weather to your advantage, shooting at night... are just some of the techniques we can use to make our images a bit more obscure. In the video above, I show you an example.
Try to create intentional gaps in your images, so the viewer has to use their imagination to fill them in. By making some things go unseen, you'll be adding more to the image.
Related: Hint, don't show, 5 ideas to make images in the fog.
“Inspiration is for amateurs, the rest of us just show up and get to work” - Chuck Close
I've said it many times, but it's worth repeating it every once in a while: we don't take photos because we are inspired, we become inspired because we take photos.
It's by acting and doing that we get motivated and inspired to create meaningful art. Some times, that means we have to push ourselves a little bit to get out and work. While it might sound hard at first, it's always worth it.
I love compact cameras. If you can fit it in your pocket, you can bring it everywhere with you, and that means more chances to shoot, thus better images.
Andrew from Frozenwaste.land and I sat down (virtually) and had a chat about photography, my new book, and other stuff. Check it out: Becoming an American: Adrian Otero Vila (aows).
In this video, I share a couple of projects that are still "work in progress".
I just went through the images I made almost exactly one year ago at the beautiful Palacio da Pena, in Sintra, Portugal. I'd been to the place many times in the past, but this was my first time as a photographer.
A short video of me editing 5 of my most recent images in Adobe Lightroom CC.
I had a little chat with Sam from The Unrecovering Photography Addict, the result is the interview 30 questions with photographer Adrian Vila. I hope you enjoy it!
I'm a big advocate of new technologies, but also very aware of the dangers of smartphones and always-connected devices in general. While they can be tools of empowerment for artists, they can also be the source of distraction.
A distracted mind can’t take photos. Let’s see how reading can rebuild our capacity to focus and increase our attention span, and how that affects our photography.
Read MoreA little short movie made on a few rainy days.
"There's one way to avoid criticism: do nothing, say nothing, and be nothing" - Elbert Hubbard
I thought I had everything figured out. Then I found myself quitting my job, selling all my possessions and moving overseas with my wife. What followed was an adventure that transformed not only who I was, but who I thought I could become. This is the visual story of a journey of becoming.
Becoming an American is a visual autobiography, covering one of the most transformative periods of my life. After 30 years of comfortable and predictable life in Spain, I quit my job, sold everything I owned, and got on a plane to cross the ocean.
I was to travel thousands of miles in the next few years, but the true journey didn't happen on the road, it was within. By embracing the unknown, going well beyond my comfort zone, and experiencing new places, I realized I was able to build a whole new self, from scratch.
The images in the book are the experiences I went through to build a new me. Most of them were neither comfortable nor predictable, but that's what kept me constantly in awe and feeling alive.
I felt free for the first time in my life. I had become an American.
This book was never in my mind when I was capturing those raw moments. Most of the images were never meant for publication, but that's what makes Becoming an American so personal for me.
Becoming an American is available for purchase now. Please allow a couple of weeks for printing and delivery.
The sky isn't where I usually look for images. Most of the time, a dark blue sky or a bright cloudy one are just backgrounds for my subjects.
Lately, though, I've been looking up more closely. I made images of the Moon, the stars and the clouds. Even of clear, blue skies.
At a time when we are confined, the sky makes me feel free and connected to a bigger world beyond the walls of this house.
I'll keep looking up.
I’ve been making images for a few years now. Back when I got started, I had no idea where this passion of mine would lead me. Today, I spend most of my days taking photographs, editing photographs, writing about photography, thinking about photography, talking about photography, studying photography.
While I don't know how long I'll be able to do this full time, I do know that even if I had to get another job to pay the bills, I'd still be doing photography.
This project of mine has grown to the point of being the purpose of my existence: to record what I see in a visual form, and to inspire others to do the same.
As I admitted recently, there's something missing in my work, and there always will. The same way a diary is never finished, I will never be "done" with my images which I consider to be my reflection, a part of me.
This is a life-long project. One I'm extremely excited about.