You must delete the work you are most proud of

"Kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings” - Stephen King

As photographers, we need to know if our images make us feel the way we feel because of their composition, light, subject, atmosphere... or if it's our memories of making them that are responsible instead. Because if it's the latter, if it's the context only us have as the makers, as the ones who were there, then no one else is going to feel the same way towards those images.

Interview with "Cómete el Film" (spanish)

A few weeks ago, I had a very nice conversation with the folks from Cómete el Film, and this is the result. One of the very few times I got to talk about my work in Spanish, so it was a very welcomed change.

Hace unas semanas, tuve una conversación muy interesante con los chicos de Cómete el Film, y este es el resultado. Una de las pocas veces que he hablado sobre mi trabajo en español, un cambio que agradecí bastante.

If I could use just one lens...

...that'd be the Tamron 28-200mm f/2.8-5.6.

I never had a super zoom lens before, and I had a lot of doubts about this one before getting it. And now I can't see myself with it. In many ways, it is the replacement of my now dead RX100VII.

I just love the range, image quality, and speed in that small package. It's also relatively affordable, especially for a full-frame lens.

Of course, it comes with some compromises, like strong vignetting (fixable in post for the most part), variable aperture (it goes down to f/3.2 by 32mm, and it reaches f/5.6 at 158mm) and, above all, it lacks stabilization - this could be a problem when shooting at long focal lengths. Personally, it wasn't a deal breaker for me.