Camera and Lens: Bronica SQ-Ai, Zenzanon PS 50mm f/3.5
Film stock: Ilford HP5+
Exposure: 800
Developer: Ilfotec HC
What a view. Enough said about this place.
Camera and Lens: Bronica SQ-Ai, Zenzanon PS 50mm f/3.5
Film stock: Ilford HP5+
Exposure: 800
Developer: Ilfotec HC
What a view. Enough said about this place.
Have you ever thought about what your dream camera would look like?
Mine would look something like this.
I want a mini Bronica SQ. Smaller and lighter, using a new type of film for 5x5 frames, 16 exposures per roll.
The viewfinder would stay the same, a little smaller due to the overall size reduction. You'd be able to switch to a fully electronic viewfinder (very much like the Fuji X100 series) with a live preview of the exposure and the film you have loaded in the back. This preview can simulate pushing and pulling as well.
If you run out of batteries, it should still work using the optical viewfinder.
I'd like to have just one lens, a zoom lens with a range of 20-300mm. f/4 would be more than enough.
When taking a long exposure, it should be able to show you the image as it's being "built". Of course, simulating the effect film will have on it. This way, you could stop it once it looks good and not before or after.
This would be the perfect camera for a hybrid shooter.
What would yours look like?
There are few places that feel like the Old West the way Monument Valley, Arizona, does.
We missed sunrise and sunset due to the long drive to get there from Flagstaff, but still enjoyed our time at this beautiful Indian reservation.
Camera and Lens: Bronica SQ-Ai, Zenzanon PS 80mm f/2.8
Film: Ilford HP5+
Exposure: 800
Developer: Ilfotec HC
They weren't. They hadn't for a while.
If there's a place in the US where you can feel like being in a western, that's probably Monument Valley.
“Rather than shooting in colour because a subject calls for it, people tend to do so because that’s how their camera is set up. And all too often people compose their shot using the language of colour and then hope that it will translate into black and white later. Neither of these approaches work.”
Many people use monochrome to "fix" a bad photo. Others seem to have doubts about which version they prefer, so they post both: color and black and white.
While you can get good results every once in a while, this approach is wrong.
The tools you have available in black and white photography are very different from the ones you can use when shooting in color. The image should be in your mind first, then -and only then- we can choose whatever tools we need to create it.
Camera and Lens: Sony A7II, Sony 16-35 f/4
Settings: 16mm, ISO 800, f/4, 1/25sec
A year after I made this image, a wildfire that burnt a lot of the Columbia River Gorge started near this spot. As of right now, it's still closed.
I never made it to the end of this beautiful hike, but I hope the trail will be open next time I visit the Gorge.
Camera and Lens: Sony A7II, 28-70mm f/3.5-5.6 kit lens
Settings: 70mm, ISO 500, f/5.6, 1/80sec
I don't know what I was thinking that day. From Timberline Lodge, I started walking up, and up. It was cloudy, but otherwise a nice day.
When I was close to Palmer lift, at around 8,500ft, the weather started to change: the clouds I had been photographing a while ago reached all of us up there, and it was like being in the middle of a blizzard.
Luckily, it's easy to find your way back from there, and after just a few minutes walking the weather got back to calm.
But in the middle of all of that, I got this image of two hikers coming back down to safety.
You've spent weeks, months, or even years creating a body of work you are proud of. Now, you'd love to show it in the real world and not just online, but you have no idea how or where to start.
Hopefully this post will help you.
I just had the first exhibition of America Untitled a couple of weeks ago, and I thought I'd share how I got my work hung on walls, people to come see it, and what I've learned for the next one.
Read MoreCamera and Lens: Sony A7II, 28-70mm f/3.5-5.6 kit lens
Settings: 28mm, ISO 400, 1/40sec, f/4.5 (handheld)
Rain -a lot of rain- welcomed us on the first day of our first visit to the North Cascades National Park. This was one of the many images I made in this beautiful place during 4 amazing days.
Breathtaking sunrises and sunsets, hikes to the top of the world, lakes straight out of a fairy tale and, of course, the stunning landscapes covered by thousands of golden larch trees.
Not too much, but when you go to a location like the one I went to this morning, you have to take a few snapshots in color.
Read MoreIn this new chapter of the Long Exposure Photography series, we are going to talk about what is arguably the most important thing when it comes to making good long exposure images: the subject.
While there are no strict rules in long exposure photography and the results might be unpredictable, we should be aware of a few concepts that are usually true.
After talking a bit about them, I'll be showing you plenty of examples of what you can expect to create with long exposures. These are examples from my own archive and represent only a tiny part of what can be achieved with long exposure photography.
This is, in my opinion, the most creative technique in photography, allowing you to develop your own vision and create very unique imagery.
Practice and dedication are required to get the results we want, though. If you like any of the images you see here, try to get out and create t (or something very similar) by yourself. Then, you can add your own twist to it. This is the only way to learn.
Read MoreIt's not because of the "film look" - I can achieve very similar results from a digital file.
It's not because it's cool - although this is a good bonus, who doesn't want to be cool?
It's not because it slows me down - you can be as slow as you want with your digital camera.
It's not because it costs me money, thus it makes me think twice before pressing the shutter - I do shoot more with a digital camera, but I'm merciless when it comes to delete pictures afterwards.
It's not because I like the smell of the chemicals - I do not.
It's not because I like to develop and scan my negatives - I don't mind it too much, but sometimes I wish someone else could do it for me.
No, it's not because of any of these reasons.
The one and only reason why I shoot film is because it's the only way I can shoot with my Bronica.
The experience I get while making images with that camera is unique, and there's no digital camera (under $50k) that can offer me the same.
When I shoot with the Bronica, I'm a better photographer and a better artist.
And this alone, is worth the effort and the cost.
Camera and Lens: Sony a6500, 16-70mm Carl Zeiss
Settings: ISO 400, 16mm, f/8, 1/1250sec
Walking in the countryside on a beautiful foggy morning.
This new adapter will allow photographers to use V system lenses on digital cameras like the X1D.
If anything, this will only make those lenses more expensive. There it goes my dream of shooting a Hasselblad 500C/M.
Look around you, it's going to happen.
From petroglyphs and polychrome cave paintings, to the smartphone 40,000 years later, humans have always used whatever medium they had available to capture a moment, a loved one, a thought, a story, so they didn't forget.
The more advanced the tool, the better humans could remember.
Photography is the best technique we have today, and smartphones are the culmination of almost 200 years of advances in photography.
Smartphones will also be the ones that will kill photography.
Technology is about to create a whole new world of tools to capture our lives. I'm no Nostradamus, I don't know if it will be augmented or virtual reality or holograms or something else, and I have no idea what those devices will look like.
I do know this: photography will die within the next 10 years.
The day that technology is able to capture that moment, that thought, that loved one, that story, in a way that we can relive it like we were there... in an affordable way for most of the people... that day, photography will die.
Artists have embraced all the mediums to express themselves for thousands of years, and photography will remain as an art. Like painting, sculpture or the printed word.
Moms won't be taking any more photos, though.
Look around you. It is going to happen.
“[...] to everyone who is freaking out because they fear the noise and distraction of all the additional content on the Internet, you can relax. Quality is a tremendous filter. Cream always rises, my friends, no matter how many cups of coffee you pour.”
I believe in this.
Keep posting and sharing your photography: it's the only way it can be discovered and seen by people who will love it.
Camera and Lens: Sony A7II, Sony 28-70 f/3.5-5.6 kit lens
Settings: ISO 640, 41mm, f/5.6, 1/60th
The first day we arrived, Yosemite welcomed us with a rainy and foggy day.
Our time in the park was very eventful: that same night, I woke up at 4am to get ready to shoot sunrise. I found ourselves in the middle of a snowstorm, with a foot of snow around us, and a flat (very flat) tire.
I still made it for sunrise, using the spare tire. We had to spend a day looking for a place to fix the flat, but as soon as the car was 100% again, we went back to Yosemite.
Camera and Lens: Sony A7II, Sony 28-70mm f/3.5-5.6 kit lens
Settings: 70mm, ISO 100, f/5.6, 1/800sec
I made this image on the way back from my first visit to Death Valley. I will never forget that sunset, I've never seen clouds like those forming above the Eastern Sierra Nevada that evening.
Still admiring the skies, something caught my eye on the side of the road: a lone Joshua Tree. I had to pull over and stop to take this exposure.
I pointed which at the time was still my camera, a Sony full-frame, and took the exposure. I knew I had gotten something special but for some reason I kept this image away for a while.
So many things have happened since that moment and still, it's been only a year and a half.
My mom is a collector of memories.
For years, she spent a lot of money and time putting together photo albums with side notes: where we went, what we ate, how we felt.
"1985-90", "90-93"
They are images of the highlights of our lives: that wedding, that party, that birthday, that day at the beach.
"April, 2000 - ", says the label of the very last photo album.
As you turn pages on that album, you start noticing that whereas one from the 90s would have 3-4 photos per event, this one had 10-20, getting worse and worse towards the end.
No more side notes, no more anecdotes.
And one day, suddenly, no more photos.
There wasn't room for all of them.
Digital happened.
Camera and Lens: Sony a6500, 16-70mm f/4 Carl Zeiss
Settings: 26mm, ISO 800, f/8, 1/2000th
I had tried to take some photos of this rock formation earlier that morning on my way to the peak, but the light wasn't right. The Sun was still rising behind the mountains you can see in the background.
On the way back, though, I got the right conditions.