Another video where I show all 12 shots from a roll of Ilford HP5, this time roll number #219. Taken with the Bronica SQ-Ai, shot and developed at ASA 800 (+1 push stop) with Rodinal (1+50).
Read MoreRoll #219: Bronica SQ-Ai + Ilford HP5

journal
Another video where I show all 12 shots from a roll of Ilford HP5, this time roll number #219. Taken with the Bronica SQ-Ai, shot and developed at ASA 800 (+1 push stop) with Rodinal (1+50).
Read MoreI believe images are meant to be hung on a wall, and I wanted mine to fulfill that destiny. My semi-nomadic lifestyle didn’t allow me to do this for a long time, until I figured out a way to do it using drop shipping services.
Read MoreAfter struggling on my hike in Somiedo a few months ago, I decided that it was enough. I had had a terrible winter: I didn't exercise and I ate and drank way too much; I had gotten fat and out of shape.
So I challenged myself and set some goals.
Climbing to Pena Trevinca was one of them. The highest peak in Galicia raises to 2,127 meters (7,000 feet) above sea level. That might not sound like much, but it would be a nearly impossible task for fat Adrian to achieve.
Read MoreThe adventure continues! This time, I visit the Grand Canyon National Park for the first time.
Even after seeing the Redwoods and being at places like Death Valley and the Canadian Rockies, this place made me feel really, really small. An impressive sight, worth a visit.
Open the post to watch the video.
Read MoreThis is the second chapter of a series about Long Exposure Photography. A new post is published every Wednesday.
Camera gear matters. And when it comes to Long Exposure Photography, it matters even more.
Whatever camera we use (it could be a phone or a 8x10 large format camera), we need to be able to control the shutter speed and increase it for extended periods of time.
The greater control you have, the better.
Now, there are still ways to shoot long exposures even if we can't control the shutter speed. We'll talk about those too.
Read MoreIn this video (and contact sheet), I show all 12 shots from Roll #218. Taken with the Bronica SQ-Ai on Ilford HP5 film, shot and developed at ASA 400 (box speed) with Rodinal (1+50).
Read MoreYou might know that I've recently set up a new darkroom after leaving all my equipment in the US. As part of this new setup, I got some **Rodinal** to try as my new developer. And I made a mistake.
Read MoreIf you have an Epson scanner, you already know which annoying bug I’m talking about. Today, I think I’ve fixed it! This is how.
Read MoreRecently, I got asked something I hadn't been asked in a long time:
"what happens if instead of buying a print from you, someone downloads a photo from your website and prints it?"
My answer was: "I don't care". This is why.
Read MoreA lot of photographers struggle with their photography. Many are afraid of sharing their work, as a tour guide in Antelope Canyon, Arizona, told me. I realized that in a different way, I was afraid too. What can we do about it?
Read MoreThe first thing I bought after purchasing my Bronica SQ-Ai (even before the film!) was a threaded cable release. For a photographer who loves long exposure photography, it's a must-have.
If you have used them in the past, you might know they can be a bit of pain: they are always getting lost, and they seem to break easier than an egg.
After a few disappointing purchases and following some wise advice, I finally got one that I love.
Read MoreI love playing around with different photographic techniques and camera gear to create stuff.
Cameras like the Holga, pinhole cameras or techniques like long exposures are fascinating to me. As I've mentioned before, they open a door to a world that you can imagine, and with a little bit of luck, capture with your camera.
Read More79-second long exposure
I love long exposure photography. This technique allows me to distort reality, to depart from it, to create something new that doesn't necessarily exist, to find my own voice and offer a unique vision of the world.
I realize this might sound a bit crazy, or at the very least, like I'm exaggerating. Truth is, I'm constantly seeking scenes I can capture on a long exposure.
This is the first chapter of a new series about Long Exposure Photography. A new post will be published every Wednesday.
Read MoreLast month, I released the first image of the series "Image of the month": The Last of Winter.
August is already here, and with a new month comes a new Image of the Month: A new beginning.
This image is a tribute not only to Multnomah Falls but to all the Columbia River Gorge, badly devastated last year by the Eagle Creek Fire.
I spent countless days hiking and photographing the Gorge. It's a very special place to me, and to many more people.
When I returned to Oregon in February of this year, I found most places (those that weren't destroyed) still closed due to the fire. Multnomah Falls was one of them.
It was a beautiful gray, rainy day. I love this weather, so does this place.
Even here, in a place that was forgiven by the fire, you could see quite a few burnt and dead trees. All this destruction hadn't made it less beautiful and magical, though.
There are few things more fascinating than the sight of the fog swallowing the forest, the feeling of the rain falling while looking at a beautiful waterfall like this one, or breathing air so fresh that your lungs can only rejoice.
I made this image in these conditions. It is a very special image of a very special place, one I miss so much and can't wait to visit again.
It was a moment when the Gorge was being born again. After death, comes new life. It's a new beginning.
Do you want it on your wall? A new beginning is available for purchase starting today, at a reduced price only during this month of August.
A new image will be released every month and offered at a reduced price during that time. After 30 days, it will be sold at full price. They will never be on sale at any time in the future, the rate during the first month will be the lowest, ever.
You can find more information about how I create my images and all the details about pricing on The Art and Craft behind my prints.
A bit more than a year and a half ago, I had no idea what it meant to push or pull film. When I started shooting film, I experimented a little bit with Ilford HP5+. I really loved the way HP5+ looked when shot (and developed) at ASA 800 and 1600. I absolutely loved the grain and contrast!
In the end, I settled on 800. Here’s why.
Read MoreCarrying a second tripod for vlogging (or to document your work) can be -literally- a pain.
For the longest time, I used a Gorilla Pod, but I hated it because most of the time I’d have to place it on the ground. I wanted an extremely light, and yet tall, tripod to bring along with me and record myself in the field.
I think I’ve found it.
Read MoreOne backpack and one suitcase: that's all I had when I moved from the US to Europe. All my stuff had to fit in two bags, and after a careful selection of what I really needed, everything else had to stay behind.
Among the stuff that didn't make it with me was all my darkroom equipment. But after 3 months of shooting almost exclusively digital, I was missing my Bronica so much that last week I finally pulled the trigger and bought everything I need to develop film at home... again.
This is a list of all the stuff I bought. You can use it as a checklist if you are building your own darkroom, although you might find you need more -or fewer- items than these.
Read MoreIt's been more than a year since I started uploading videos regularly to my landscape photography YouTube channel about all my trips.
One of the things I've learned in the process is that documenting -and sharing- your work actually helps you improve quite a lot. Showing what I do and how I do it, along with some of the thought process behind it has pushed me to be better.
Read MoreI hadn't been using the lightning SD card reader for my iPhone much lately. Importing photos used to be a pain and a long process.
It looks like this is about to change, for the better. I've been running the iOS 12 beta for a few weeks now (mainly because it groups notifications like Android does), and I wanted to import a couple photos I had on my camera (I'm in the middle of a trip and I don't have my computer with me).
The new screen caught me by surprise. Not only is it much nicer, but the photos load much, much faster and selecting them by date is straightforward.
A very welcome improvement. I might use it more often in the field now, if only for an extra copy of my images (remember to back everything up before it's too late!).
Yesterday at lunch, I overheard a conversation happening next to me.
Someone was sharing their opinion that the difference between a good basketball player and an outstanding one was -usually- the much better attitude of the latter. They don't give up, they try again. When they get hit, they get up and play harder than before.
That made me think about going the extra mile in photography.
I believe that putting a camera in the hands of a person doesn't make them a photographer. But it's not because of a lack of skills or experience. It's all about the attitude.
A photographer should go where others don't. They should do what others don't. They should arrive before everyone else, and leave after the last person is gone. A photographer should capture what others can't.
And after the work is done in the field, they should be willing to work on the much longer process that begins for some of those images.
In photography, there are no rules set in stone. I do think, though, that hard work, an open mind and perseverance will make anyone go that extra mile.