Second day at Grand Canyon National Park.
Dock, Chain O'Lakes, March 2018
Camera: Holga 120N
Film stock: Ilford HP5+
Exposure: 800
Developer: Ilfotec HC
Rainy day at Chain O'Lakes State Park, Indiana.
Editing
When Amstrad launched its word processor 30 years ago, writers were initially resistant – processing was for peas, not words. But many soon saw the benefits of life without Tipp-Ex.
I'd bet that there are very few writers today neglecting the advantages of the backspace key.
Almost two hundreds years have passed since photography was born, and yet many still see editing as something evil.
The book is the destination. The image is the goal. The tools you use to make your art don't matter.
I didn't record these trips →
A few weeks ago, I went on a couple trips to the coast and I didn't record almost any footage of them. I still made a video, because I got some good images that I wanted to show you.
Pena Trevinca I, August 2018
Camera and Lens: Sony a6500 + 16-70mm f/4 Carl Zeiss
Settings: ISO 100, 70mm, f/8, 1/2000sec
This is one of the few images I managed to create during the hike to Pena Trevinca, in the Galicia / Castille border.
I made it at the beginning of the hike, when my mind and legs were still fresh and the light workable. I had none of those two things for almost the rest of the day in the mountains.
How to take a long exposure
We already know what a long exposure is and why this technique is so awesome. And we know the camera gear and equipment we need. In this week's chapter, we'll talk about how to actually use that gear to take a long exposure.
I'll show you how I take a long exposure with my Sony a6500 step by step. The controls on your camera might have a different name, but the process should be pretty similar. If you have any questions, leave a comment or contact me.
Read MoreListening to destructive criticism
I've grown used to destructive criticism. I've got a lot of it since I quit my job 10 months ago to pursue a career as a professional artist.
I usually dismiss it and carry on.
One day, Person A -let's call them that way- was trying to discourage me and asked a question:
"You say photography is your job... Do you work 8 hours a day then?".
They weren't looking for an answer, but to diminish what I was doing. Those are the ways of destructive criticism.
I couldn't dismiss it this time, though.
It was true: I wasn't putting the hours. I was definitely getting out and making images, but starting a photography business requires so much more than that.
From that day on, I've been working 12+ hours a day on my photography, 7 days a week.
Even though some people will try to ridicule what you do, the way you take their words is up to you. Use them to your advantage if you can; discard and forget them if you cannot.
Power Station, Sabon, July 2018
Camera and Lens: Sony a6500 + 16-70mm f/4 Carl Zeiss
Settings: ISO 320, 17mm, f/8, 64 seconds
A few weeks ago, during a trip to A Coruña, I visited the beach of Sabon where I wanted to create an image to show the contrast between the beach and the chimney of the power station.
This place is familiar to me. Years ago, I used to work just a few hundred feet from there, and some times during lunch time I'd go to that beach to take a walk.
The idea behind this image was to make believe the viewer that they are looking at yet another image of the ocean breaking against the rocks, and realize a little bit later about the "small" detail on the top right of the frame: a chimney from a power plant.
The key to making great art
Photography requires -almost- no technical skills anymore. Modern cameras are able to perfectly expose a scene most of the time.
That alone doesn't make good images, though.
What is it, then? What's the difference between greatness and mediocrity in photography?
Talent -as in a naturally given ability to appreciate beauty- plays a role in this.
A lack of talent can be overcome, though, by anyone who possesses what I believe is the key to great art: passion.
While technical skills and talent can give a photographer a head start, only passion will bring them beyond the point where photographers without it can't go.
Lifeguard Tower, Michigan City, February 2018
Camera and Lens: Bronica SQ-Ai, Zenzanon PS 80mm f/2.8
Film stock: Ilford HP5
Speed: 800
Developer: Ilfotec HC
This unreleased image is part of my project America Untitled that is being exhibited this month.
I made this image on a very, very cold day in Michigan City, Indiana. The beaches along the shore of Lake Michigan looked like anything but sand beaches where people get tan or children play, and all the equipment used during the summer by visitors and staff were like out-of-place artifacts.
This lifeguard tower stood out to me, and I think it made for a compelling image.
Monday's Random Thought, Links and Updates, Volume #1
Today has been a busy day, Mondays always are.
I didn't have any time to write anything profound for today, so I just came up with a new weekly thing called Monday Random Thoughts, Links and Updates, and this is volume number 1.
Read MoreMoonrise over Mt Hood, Sherrard Point, July 2017
An image of Mt Hood from the archives for today. I really can't wait to visit this beautiful place again.
This was a lovely evening spent at Larch Mountain watching the Moon rising above Mt Hood. I made several exposures with my Bronica, you can see some of them on the Mt Hood National Forest page of my archive.
I also have a short video about this evening that you can watch here:
Why I started an IGTV (Instagram TV) channel

During the last few days, I've been trying **IGTV** (Instagram TV) as a possible (and yet another one) outlet to share my work.
When it first launched a few months ago, I was very skeptical. I still am, but after playing with it for a bit I can see its huge potential.
So far, I’ve released 4 videos on my IGTV channel and I’m liking what I’m seeing.
Read MoreThe X Projects

Every once in a while, I have an idea for a project and work on it for a few hours or days. Then I realize that those images (or videos) I created don't really fit in with the rest of my work, and discard them. Well, not happening anymore.
Introducing The X Projects, a jumble where any weird, odd and probably wrong idea I have will find its place to live forever and ever.
Read MoreRoll #219: Bronica SQ-Ai + Ilford HP5

Another video where I show all 12 shots from a roll of Ilford HP5, this time roll number #219. Taken with the Bronica SQ-Ai, shot and developed at ASA 800 (+1 push stop) with Rodinal (1+50).
Read MoreCruceiro, Foz, June 2018
Camera and Lens: Sony a6500 + 16-70mm f/4 Carl Zeiss
Settings: ISO 100, 32mm, f/9.0, 246 seconds
I made this image during my recent trip to Foz, Lugo. In this region of Spain, cruceiros (calvary)) are everywhere.
I wouldn't have paid attention to this one if it weren't for the tree that was right behind it. I noticed that the wind was moving the leaves and I thought that could make for a good image.
This is the result of a 4-minute-long exposure. I like it.
Drop shipping: how to sell your prints to and from anywhere in the world
I believe images are meant to be hung on a wall, and I wanted mine to fulfill that destiny. My semi-nomadic lifestyle didn’t allow me to do this for a long time, until I figured out a way to do it using drop shipping services.
Read MoreCastro de Baroña, Porto do Son, July 2018
Camera and Lens: Sony a6500 + 16-70mm f/4 Carl Zeiss
Settings: ISO 500, 16mm, f/8.0, 1/640sec
I woke up really early to be at the Castro (a 2,000-year-old fort) for sunrise. This is a very popular spot and it gets crowded during the day. At that time though, I was the only one there.
It's a beautiful place. It feels surreal to see all these structures and think that people lived (and fought) here thousands of years ago.
An hour and a half after sunrise (I was already on the way to the car), the fog started to roll in. It was then when I made the best images there, and this is one of them.
Hiking to Pena Trevinca

After struggling on my hike in Somiedo a few months ago, I decided that it was enough. I had had a terrible winter: I didn't exercise and I ate and drank way too much; I had gotten fat and out of shape.
So I challenged myself and set some goals.
Climbing to Pena Trevinca was one of them. The highest peak in Galicia raises to 2,127 meters (7,000 feet) above sea level. That might not sound like much, but it would be a nearly impossible task for fat Adrian to achieve.
Read MoreAmerican Road Trip Journal #27: Grand Canyon

The adventure continues! This time, I visit the Grand Canyon National Park for the first time.
Even after seeing the Redwoods and being at places like Death Valley and the Canadian Rockies, this place made me feel really, really small. An impressive sight, worth a visit.
Open the post to watch the video.
Read More