journal
Photography is easy is a new series of videos based on my eBook of the same name, where I try to debunk a few common myths about photography that I believe cause more harm than good. This time, let's talk about "Experience in photography".
Are you permanently dissatisfied with your work? You are not alone.
Every time I look at my images as a whole, I feel like there’s something missing. I'm in a journey to an unknown place I haven’t reached yet, and probably never will.
I believe that dissatisfaction with one's own work is unavoidable, but also benefitial in the long term: don’t minimize the doubts, feel them, use the insecurity as a catalyst to push you out there, to experiment, to stay a beginner, and become an even better photographer.
I got quite a few questions about how I made my latest movie, "The Night is Dark". I hope to answer most of those in this post and video.
The short version is: I took a lot of shots and put them together in a video.
This is how I did it.
Read MoreI am fascinated by the photographs that the rovers have been sending from the red planet over the years. Mars is beautiful, and I would definitely have a lot of fun making some images there. Unfortunately, the odds of that happening are very low.
Read MoreAs someone with a semi-nomadic lifestyle, I've gotten used to live off a suitcase.
Instead of organizing my gear on shelves and drawers, I keep all my cameras, lenses and accessories in my bag. Having a limited space to store my stuff makes be very selective about what I buy: a new item usually means another one has to go.
But the reason why I always keep my gear in my bag is because that way I'm always ready to go. If I see fog in the morning, I grab my bag and get out. If the Spanish government establishes a mandatory quarantine, I grab my bag and go to my parents' farm to spend the lockdown there.
I know I won't be forgetting anything because all the gear I'd ever need is there, and ready.
There's no better tool for photography than a healthy body and a sharp brain. It's not easy to keep them that way during these times, though, when billions of people are confined to their homes. This is how I try to stay in shape, both physically and mentally, through this mandatory quarantine.
Read MorePhotography is easy is a new series of videos based on my eBook of the same name, where I try to debunk a few common myths about photography that I believe cause more harm than good. The first one: "Go Manual or Go Home".
Are your brain and your body.
Your body takes you and your camera to places where images live. Your brain finds them.
Take proper care of both and your photography will take care of itself.
A Sage is someone who has achieved wisdom. According to Donald Robertson in Stoicism and the Art of Happiness, the Stoics saw this person as
someone perfectly wise and good, giving the aspiring Stoic direction, structure, and consistency in her practice
In this context, a Sage would be a role model, someone to be emulated.
Many times, I like to put myself in other photographer's skin and try to see the way they would see (or the way I think they would see, at least). I also have a fictional photography Sage I try to emulate.
What characteristics would a photography Sage have?
These are some of the virtues my own photography Sage would have, and the ones I try to emulate. Of course, I fail often if not most of the time, but they give me a sense of direction and serve as a guide.
What about you? What would your role model look like?
I try not to think too much about composition when I shoot: I point the camera at whatever I saw, I move around, and press the button whenever it feels right.
It's when I'm back at home that I can see more clearly if the image works or not. Although rare, there are cases where I'll find an image I had not seen in the field, an image I can still make by "re-composing" the original negative or file.
Most of my images are square, as you know. If I'm shooting digital, that means I have to crop the files to that format. While I'd rather shoot square natively, having that extra room for editing has proven to be very useful.
One example is this image of a couple of swans I took in Lago di Garda, in Northern Italy, a few months ago. It was only when I looked at it on the computer that I saw how it could work with a heavy cropping.
Original 3:2 raw file showing the crop.
Final square image.
Another example is this image of the Badlands National Park, in South Dakota. I'd taken the original photo almost 2 years ago, but it wasn't until recently that I "saw" the panoramic image in it. It was not my intention when I took it, I wasn't thinking about a panorama, but it works.
These are extreme examples, though. Most of the time, all I do is small adjustments to the composition I did manage to capture in the field. For example, take a look at this image of a tree in the italian Alps, and compare it to the original square crop. I decided to place the tree a little bit further to the left, giving the branch a bit more room to grow to the right of the frame.
Original square crop.
Adjusted square crop.
There's no shame in creating a completely new image after the shot. As I said many times, photography is not a competition, there is no prize for those who get it right the first time. Legends of photography like Ansel Adams kept playing with old negatives for decades, coming up with new edits and interpretations.
Photography is a creative process, inspiration can hit you at any point in your workflow. Embrace it.
The problem:
our actions produce results, but they are often delayed
Most of the time, we don't get instant feedback about our work so we are left with doubt: is this really working?
Sometimes, things get worse before they get better, even if we are already on the right path. It's during this first phase, when things aren't looking good, that most people give up.
That's why we need a system to stick to, a plan to follow even if results take a while to show up. They will, eventually.
Apple announced a new iPad yesterday, but it's the full mouse support and new keyboard with built-in trackpad that is catching everyone's attention. It's got mine as well, and I look forward to reading the first reviews.
As you know, I've wanted to make the iPad my main and only computing device for quite a while, but I keep going back to the laptop as the ultimate tool for productivity.
I'd love to see all the great things about the iPad (size, weight, battery life, touch screen, cellular support) on a device running MacOS. iOS just doesn't cut it.
Why is Apple trying so hard to make it work? For me, the reason is clear: the App Store. When Apple sells you a Macbook Air, for example, they don't expect to get much more money from you after that. Maybe some iCloud storage, but that's it. Meanwhile, iPhone users in the US spent an average of $79 on apps in 2018, and revenue from mobile apps will be around $581 billions this year.
I remain skeptical about the future of the iPad as a productivity device, but I really hope Apple can prove me wrong.
All Spain is in lockdown, but here in the country I'm still able to find some opportunities to take some photos.
When I wrote about my upcoming trip a few days ago, I knew the situation could get worse. I could not, though, expect how fast everything has unfolded here in Spain in the last few days: from planning my trip to country-wide mandatory quarantine.
I will be working from home for the foreseeable future. Thankfully, I have a lot of photos to go through and many things to talk about, here and on my YouTube channel.
Before focusing on photography again, I wanted to repeat what every expert in this matter is saying: stay home as much as you can. If you are already taking this seriously, then please keep doing so. And if you still believe this is like the flu, take a look at this.
Stay healthy, my friends.
In just a few days, if the coronavirus situation doesn't get even worse, I'll be taking a plane to Ireland. That will be my first stop on a 2.5-month-long trip to Ireland, Iceland and the UK.
The way I travel makes every trip a bit uncertain, but this time, I'll be embracing the unknown from day 1. Other than the flights and a few hotels in Ireland and Iceland, I have nothing else booked or planned.
On one hand, there's the virus: Italy is in lockdown and other countries are starting to require foreigners to self-quarantine for a couple of weeks. These measures could extend to other parts of the world -including the countries I'll be visiting- at any moment, so I don't want to book anything too far ahead.
There's also the issue with the weather: it's been a mild winter here in Spain, but it looks like Iceland is still getting its fair share of snow and ice these days. My hope is to travel along the southern coast, weather permitting.
I'm very excited about this trip. I've never been to Ireland, and I've been wanting to go to Iceland for a long time. And while I did visit London before, I've never been anywhere else in the UK. I'm especially excited about spending a few weeks up in Scotland.
Hopefully I get to visit all of those places as "planned", and to share many images and videos with you all. If that's not the case, it'll be fine, I'll do my photography from somewhere else. After all, those beautiful landscapes are not going anywhere and they'll be there once this virus is under control. What matters the most now is to keep everyone safe.
I'll keep you updated. Stay healthy.
I have a new book I'd love to share with you. In "Photography is easy", I try to debunk 10 common myths about photography. I talk about topics like camera gear, Instagram, how to make images anywhere, and why we should strive to be and remain beginners.
This is the cover of Becoming an American, my upcoming book.
Grand View is the new Image of the Month for the month of March.
The Grand Canyon took my breath away, but the same vastness that makes it so majestic, also makes it very hard to photograph. It was in the Desert View Watchtower where I found something that really caught my eye. The view from that window was stunning, so I framed the image on my Bronica. Just when I couldn't ask for more, a bird flew by. I had no idea if I'd captured it, and I didn't find out for a few more days. But there it was, on the negative. It was my favorite image from this special place.
Remember: there are two sizes to choose from, 6x6 and 8x8 (inches). In both cases, the matt and frame are 12x12 (this means a bigger margin for the 6x6 print).
Shipping is free to the US. International shipping is a flat rate of $14.95.
A new image will be released every month and offered at a reduced price during that time. After 30 days, it will be sold at full price. They will never be on sale at any time in the future, the rate during the first month will be the lowest, ever.
You can find more information about how I create my images and all the details about pricing on The Art and Craft behind my prints.
I've been working on a couple of books that I hope to release very soon. I started working on one of them years ago, but never found the time required to finish it and it's been a side project since then.
I realized I wasn't going to finish it ever unless I created some space and time for it. This means I had to cut down on other parts of my work, my YouTube channel to be specific. I haven't uploaded any videos for over a week now, but don't worry, there will more as soon as I'm done with these two bigger projects.
