journal

Creating stuff that will outlast ourselves

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A while ago, I had a "terrible" realization: everything I had done in life as a software developer was already gone or will be gone in the next few years. Apps have been taken down, websites have been closed.

The exception might be a few lines of code, here and there. They will survive as long as someone else keeps them alive.

The fate of all the side projects I've worked on over the years (hundreds upon hundreds of hours of work) is already sealed, though: they are all gone.

Even as a photographer, if I stop paying the bills this website would be shut down, and all online platforms will eventually go away and / or delete my images.

Your life's work gone, just like that.

The day I realized about this was the day I sold my first physical copy of "Went West", my first book. At that moment, my website and online platforms stopped being the only places where my work lived. There are 40+ copies of that book all around the world, and since then, I've also shipped several prints of some of my images.

I know they too will vanish, eventually. Some might have already been thrown away, or put away. Most will follow at some point.

My hope is for just a few that will survive and outlast me, if someone finds them to bring some joy. A legacy of sorts.

While I appreciate the immediacy of the web and the convenience of online platforms, I'm aiming to create more physical work this year and to put it in hands of more people.

I like driving

in

I don't mean sitting in traffic on my way to the office. Rather, a peaceful drive through the mountains on my way to a day out making some images.

Behind the wheel, I'm alone and I can't use my phone. I have no option but to go through my thoughts and sometimes, to get bored.

Being bored can be very good for our brain. Sadly, it's also very hard to achieve nowadays: not more than 5 seconds of boredom would go by without me reaching for my phone (I have adopted some measures to fight this terrible habit).

I don't know much about meditation, although it's something I've always been interested in. One day, I might give it a try.

Until then, driving will be my meditation.

Download my latest ebook for free: "Long Exposure Photography"

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Christmas is here, and it can be a wonderful time to try new things with our camera. Long exposure photography is a great tool to have in our arsenal, and if you haven't gotten around to play with it, then you might like my latest ebook: Long Exposure Photography.

I also uploaded the first of two videos about long exposure photography. They will cover pretty much the same contents of the book. Watch the first episode here.

Getting inspiration in nature

in

I got started in photography because of nature. It was when I moved to Oregon that I felt like I had to photograph those places my eyes couldn't believe.

I hadn't been out in nature for a while, and I believe that is what was driving my recent lack of inspiration.

Instead of visiting yet another town here in the Algarve, I decided to go on a little hike in some nearby hills (called Fonte de Benémola).

The short-term benefits were pretty clear: I was able to breathe and clear my mind. I think there will be some more long-term benefits, because sometimes all you need to run a marathon is to take that first step.

Downgrading my camera gear

in

I've been feeling a little bit uninspired lately. It's normal, everyone has highs and lows in photography.

When I struggle with creativity, there's one thing that almost always comes to my mind: camera gear.

"If only I had this camera or this lens... I could create something different"

I only recently realized that it's not a new piece of gear that I want to buy. I want a better version of myself, a better photographer making better images than the ones I'm making right now.

But it's not about the equipment we have, it's about the use we make of that equipment. A new camera or lens might inspire you to get out, but it will still be you who has to make the images.

A few weeks ago, I started shooting with my old Sony a6000. It's an almost 4-year-old camera, able to create beautiful images. It's always been a backup camera so I used to look down on it.

Not anymore. From now on, it will be my main camera for photography (digital, this is, the Bronica is not going anywhere!).

I also downgraded my 70-200mm big and heavy telephoto lens to the 55-210mm that came in my a6000 kit. The quality coming out of them isn't even in the same league and still, I've made more images I like with the latter. That's due to the size, weight... and also price. Being cheap means I'm more willing to risk it in rough conditions.

This kit should enable me to create most of what I want to create with my photography. Thinking otherwise has only led me to dwell and waste time looking at new gear.

Let's get out and enjoy what we have, let's get out and create something.

Evora and the Alentejo

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I'm writing this from my hotel room in Evora, city I'll be leaving shortly to head towards the Algarve.

This was my second time in this beautiful town, and I already regret not having spent a few more days in the area. Not only there's so much more to explore on these charming and mysterious streets, but I really want to photograph the landscapes of the Alentejo.

There's still hope, though. Where I'm going is not too far from here so I could always do a day trip, and I'm also hoping to find similar landscapes down there.

For now, these are some of the images that I made during these short two days here in the capital of the Alentejo, Evora.

PS: I made a video about our time in Evora, and I also talk about being a photographer in a foreign country.

Holga Pinhole Lens for Sony E-Mount cameras (Sony a6000)

in

I believe that in imperfection lays the beautiful.

That's why I shot a Holga for quite a while, why I love to shoot film or use cheap lenses on my digital cameras.

Something I've wanted to try for a while was pinhole photography. I didn't want to do it on film because it could get expensive, so I built my own pinhole lens. That worked just fine but I didn't really like the idea of having the sensor exposed through a physical hole. I went ahead and bought a Holga Pinhole Lens on eBay for 20-25 euros.

This is the lens I'm trying in this video, where everything is about embracing imperfection.

Subscribe to my YouTube channel here.

How to have a distraction-free phone without crippling it

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I truly believe smartphones are the single most empowering tool of our era. These little devices can do things we couldn't even dream of just a few years ago, no matter where we are.

With great power comes great responsibility, though.

My phone has greatly improved my photography, but it's also hurt it. I've found myself losing track of time while on my phone and missing shooting opportunities, like a sunrise in the morning. I've also found myself replying to tweets in the middle of a shoot, just because I grabbed my phone to meter the scene and saw the notification.

To avoid stuff like this, many people go to the extreme of keeping just the very basic apps on their phones. This is a mistake, in my opinion. Trying to avoid the downsides of using a smartphone, they are also missing out on the good stuff.

I believe there's another way, a way where we can still take advantage of these devices while limiting their negative effects.

This what I've come up with (this is for iOS, but Android should provide similar functionality).

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The conflict between the two sides of photography

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Photography is a weird activity in that it involves very active periods of time, followed by stretches of inactivity.

The time we spend outside shooting will inevitably produce work that we'll need to perform inside: working either in the darkroom or in front of the computer, or both.

Finding a balance between these two sides of photography is not easy, and having a regular schedule is almost impossible. If your photography happens outdoors, you have to adapt to things out of your control like the weather.

I find myself being most inspired early in the morning, for both the action of shooting and the more inactive parts of photography, like printing / developing images, writing on the blog or editing a video.

That creates a conflict between those two different sides of photography.

I would love to have a morning routine where I sit down and write or edit, slowly sipping and enjoying my coffee. But when would I go out and shoot? Most of my photography is made at that time.

I also struggle switching from one side to the other: I find myself doing one or the other side of photography for a few days in a row, and that really shows on the side that I neglect.

On the other hand, I feel like taking a break from either side of photography is at times very good for me.

I don't know if there's an answer to this, maybe there isn't one.